Murder in the Mail Art Exhibition Opening
Today is Saturday, August 25, 2018.
Today MURDER IN THE MAIL: A BLOODY BIRTHDAY was officially launched with the beginning of a week-long art installation at The Front cafe & gallery (1 Wattle St, Lyneham, Canberra).
It featured all eight pieces of story art (you can see them here), plus several bonus pieces (three Octopus pics/puns from Annabelle Lee, who designed both the MURDER and MAGIC logos; a Ditmar Award-winning piece by Shauna O’Meara; a second portrait by Jane Virgo—of the famous writer Isobel Carmody; and one sneak preview of the MAGIC IN THE MAIL exhibition which will run at The Front on precisely this weekend in 2019).
And cake, by Cassie’s Custom Creations, based on the cake drawing by Shauna.
All the Canberra MURDER artists attended—Annabelle Lee, Adam Lee (yes, they’re husband and wife as well as being two extremely different visual artists), Jane Virgo, and Shauna O’Meara. (Tash Turgoose lives in Brisbane and Keely Van Order lives in Melbourne.)
I very much enjoyed having several of “my” artists in the same room, and although all the artists are scattered about Australia and the world, I was able to gather all but one of their books (Phil Hore’s book is soon to be published by Odyssey Books) which was awfully enjoyable for me too.

You can see them all rather more clearly here, of course. It’s rather a respectable bookshelf—and all Odyssey and Obscura authors, naturally.
But of course you want to see the cake, don’t you?
Well… you can’t.
The above (and below) photos were taken on my phone just before I packed up. My good friend (and printer) Jason Tankard was the official photographer, and he took about a billion photos, especially of the cake… so I knew it would be most thoroughly documented… and didn’t take a single pic of it myself.
Here’s the art by Shauna O’Meara, if that’s any comfort:

And here are some lollies. That’s Lindt on the table, and the mini trifle dish has Kool Mints, dark chocolate Maltesers, and Jaffas.

But of course it’s the art you really want to see. This is a terrible picture, but it’s better than nothing:

The art will stay at The Front for at least a week. If you like coffee, art, or cafes in general, go and check it out!
The food is rather good too (I was careful to test it, because I’m a professional in such matters).

That’s ginger and sweet potato hotcakes on the left, and “AVOCADO” on the right (with sourdough bread, beetroot hummus, etc).
The crucial questions:
Did I sell billions of dollars’ worth of stories, books, and art?
Just hundreds.
Did I have fun?
So, so much yes.
Was the cake good?
Yup.
UPDATED: Here is the cake!
I realised alarmingly recently that everything I know about running an art installation I learned from Ocean’s Eight. So there were certainly some bumps along the road (to this day I don’t know what percentage the cafe gets from my sales… somewhere in the vast gulf between 20% and 60%) but the art is in a great public space, MURDER IN THE MAIL: A BLOODY BIRTHDAY is on sale there, and it was an incredible day.
Tune in tomorrow for the thrilling debrief of the Antipodean Queen 3: Iron Lights book launch at Kings Hall, Old Parliament House (aka the Museum of Australian Democracy) 2:45-3:15pm.
Or, you know, just come 🙂
Author Photo
Every so often I get asked for an author photo. Here are some that I use pretty often:

Nice and steampunky, but WILDLY out of date.

Amusing – captured just as the whistle blew, scaring the crap out of me. I’m actually (just barely) pregnant with Louisette in this photo.
Generally author pics want to see one’s face in perilous close-up, however.

A fairly nice pic… but of course having a kid in an author pic is a no-no for anyone who’s not writing picture books. So this is what I use:

These two were taken by Cat Sparks at Conflux 2017. I had makeup on and everythink. Cat Sparks must be acknowledged by anyone who uses these (which is sometimes awkward).
Selfie taken on a miniature train.

Selfie taken in the mirror, in costume, after my operation.

What would you use if these were your choices, and you were an author trying to look super interesting and absolutely worth reading?
I think my favourite is the miniature train selfie. I look happy, and pretty nice despite the lack of makeup. Good hair and background, and looking away implies imagination.
I always take pics of myself at appearances (when I’m Properly Dressed) but so far they’ve never turned out well. Usually the lighting is bad, and I’ve begged a random passer-by to take the picture. Plus they’re generally full length, so even if my face is looking good it’s not high enough quality for an author photo.
UPDATE: The brilliant Cat Sparks (yes, her again!) took a billion photos of me at my latest book launch. These are the best, and I think the one that I accidentally posted twice is the absolute winner.







Fan Art
Choices That Matter is a serial story hub app by Tin Man Games. KG Tan is the project head and editor. The stories are:
And The Sun Went Out written by KG Tan, Alyce Potter, and myself.
And Their Souls Were Eaten written by yours truly (edited by KG Tan and Phill Berrie).
And Their Heroes Were Lost written by Phill Berrie (edited by KG Tan and yours truly), which is still getting periodically updated at the moment (the ‘serial’ part of the app).
All of which is to say that there is a bunch of awesome fan art out there, and it’s high time I collected some here!

This is Etienne Sole, one of the love interests in And The Sun Went Out. The artist is Frey. His website is here and his twitter is here.
There’s more gorgeous And The Sun Went Out art here (but I can’t figure out how to contact the artist).
And here (same artist as the above link).
If you know of more fan art out there please let me know. I’ll share anything G-rated (and I love knowing about it all, OF COURSE).
Reading My Reviews
It’s no secret that I read my reviews. I enjoy an enraged negative review, as a rule, and I pay attention if the same criticisms come up more than once.
Tin Man Games has an app called “Choices that Matter” on iOS and Google Play, which is an interactive serial story app. I wrote about half of the first story (“And the Sun Went Out”) with Alyce Potter and KG Tan, all of the second story (“And Their Souls Were Eaten”, set in the same universe as all my steampunk fantasy), and I’m editing the third story (“And Their Heroes Were Lost” by Phill Berrie). Google Play has a LOT of reviews, so I spent literally hours last night getting up to date. I made a collection of some of my favourites.
MAJOR SPOILERS FOR “AND THE SUN WENT OUT”.


It warms my writerly heart to hear that interactive fiction is making people get back into reading. We hear this a lot!

I love the poetry of the first one, and the insight of the second. Gonna make sure KG Tan and the others see these ones.

This just amused me. More than once.

I kinda like it when people get hysterical with need as they wait for updates. ‘Heroes’ is still going strong, just slowly.

I adore making readers cry.

Chosen because it’s fun to see contrasting opinions right next to each other.

“Action-packed, intelligent stories shrouded in mystery” is quite the poster quote.


Yay, more crying readers. Love it.

Poor, tormented reader.


It’s amazing how positive and negative reviews say exactly the same thing (except in reverse).

I love interactive fiction for its inclusivity, particularly on gender and sexuality.

I love a detailed compliment. It’s always fascinating to see how people see the characters I’ve played a part in writing.

I wish I could reply and let them know that there IS a villain path in the third story.

That’s startlingly deep.

I love it when people favour “Souls” because of course it’s my baby.

I just love that last sentence. And yes, that is a sentiment expressed quite often. Yay?

I agree 🙂 Phill and I both have novels published.

It’s funny how many people want to turn stories (my novels, too) into movies. I think “And The Sun Went Out” is unfilmable because of Moti, but my steampunk novels could easily be a movie someday (if they caught the right person’s eye, which is vanishingly unlikely).

“And The Sun Went Out” makes a LOT of people cry, so hearing that “And Their Souls Were Eaten” had that kind of impact is absolutely wonderful.
The way it tells you how common your ending is, is a really cool & unique thing in this app. Kudos to Tin Man Games.

I love it when readers play a story over and over to get different pieces of the story or different endings.

Aw!

A LOT of people (including the writers) want a Moti-con. I like this review because most people automatically default to male with gender-neutral characters, but Wendy has defaulted to female. Yay!

I do write books! Comments like this are both great and frustrating, since I can’t immediately sell them a pile of my novels.

It’s funny (and good) how many people have an awareness of the game developers needing to be paid.

“Not epic” is a perfect burn. And then the next review is totally different.

*love*

Turning people gay is *takes off sunnies* what I do.

It’s funny to eavesdrop on a discussion of story methods.

Same. We writers are just as in love with Moti as the readers. And yes, we cried too. And we badly want our own Moti-con devices.

I am also human *wink*.

Not MANY children could write a 600,000+ word branching narrative, but sure. You do you.

Lol, that’s certainly an up side to interactive fiction.

I love that she assumes a female writer, and reckons my novels would “storm the shelves”.
I get WAY more reviews (literally thousands more) for my interactive stories than for my novels. It shows how lucky I am to have been born in the right moment to flourish in the digital interactive fiction sphere.
Postcard from “Emmeline’s Empire”
Penny Blake of https://blakeandwight.com is just starting to arrange an “Author Postcard” series (starting in July, I think). I literally finished “Magic in the Mail: Emmeline’s Empire” earlier today so I was in the perfect head space.
This postcard is written in character, and designed as an ad for the story (and, because why not? for the Antipodean Queen trilogy too).
WARNING: This contains a spoiler for the general plot of “Antipodean Queen 3: Iron Lights”.

To Miss Venture,
I had not expected to find such pleasure in your company, nor to accomplish so much so quickly as we assist Miss Muchamore in her martial endeavours. Yet now I find myself longing to once again find myself beside the sea—and therefore beside you.
Here in the countryside the Australian heat is somewhat blunted by the surrounding hills. There are also several convenient river-side trees behind which a young woman like myself can take the waters in a relatively discreet manner. It is strange to think that this serene valley will soon be over-run by Her Royal Majesty’s troops.
Has Miss Muchamore told you she is writing an autobiography, beginning with the strange history of her magic-infused anatomy? Truly the 1860s are a wonderful time to be alive. Given that the first volume of her intended trilogy is entitled Heart of Brass it seems you and I will soon have one less secret to keep. In fact her trilogy is almost complete, which I confess makes me a little nervous, as the end of Miss Muchamore’s military campaign also draws to its climax. Does she think she is going to die?
My life has been somewhat different to hers. I imagine if I told my own story it would have to be written entirely in letters, rather than in the manner of a regular novel. Perhaps I should compile it, after all! I could call it Magic in the Mail: Emmeline’s Empire after Miss Muchamore’s small holding. But letters would not be enough. There would be pictures too, including your beautiful painting of Miss Muchamore’s sister, and a tiny model of our fort for the attentive reader to build, joining our rebellion by proxy. And jewellery, since it is both lovely and small enough to fit in an envelope. Perhaps a tiny heart made of brass.
Or perhaps all this is all a foolish dream. Who would want to read the letters of ordinary women like you and I? We are both of us side characters, not heroines.
And yet.
I think foolish dreams are the most interesting kind, don’t you?
With love from your friend,
Xiong
https://shootingthrough.net/2017/10/03/antipodean-queen-1-heart-of-brass/
https://magicinthemail.boards.net
Infinity War: Spoiler-Filled Impressions
I just watched this amazing video that has an amazingly high rate of correct theories about “Infinity War” (less so toward the end of the clip).
Now. Let’s talk.
I’m going to assume readers have already seen the movie, and need to talk about it.
There’s an entry here for those who just need to know who dies before they see the film.
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The first scene established that Marvel wasn’t kidding about killin’ folks. I was aware that both Loki and Heimdall were at risk (for casting/narrative/contract reasons), and although both are fantastic characters brought to life by brilliant actors, killing them was the right thing to do to make a great film.
The writing throughout this film is tight. Sure, we don’t necessarily feel too close to any one character—that is the price of such an ambitious, hero-filled movie. But the film is fast and exciting and still manages to remind us why we care about each character in incredibly economic ways. For example, when some Avengers arrive in Wakanda and are greeted by King T-Challa, this happens:
Avenger Man #1: [realising the king is right there in front of him, and speaking under his breath] Do we. . . bow, or something?
Avenger Man #2: Of course. He’s a king.
Avenger Man #1: [bows awkwardly]
King T’Challa: We don’t do that here.
Avenger #1: [glances accusingly at #2]
Avenger #2: [grins at him]
This shows us a totally human moment of awkwardness, grounding the movie in an experience familiar to all of us. It also shows some of the character of Avenger #1 (the point of this example is somewhat marred by the fact I can’t remember which two Avengers were in this mini-scene), and his awkward bow, sideways glance, and realisation that he’s been had all show that he doesn’t think highly of himself, and that he can take a joke.
It also shows Avenger #2 has a wicked sense of humour.
It also shows T’Challa’s humility, confidence, and tact. He doesn’t giggle nervously or falter in the slightest when faced with other people’s nervous awkwardness. He clearly explains his ruling style & diplomatic relations in five words, and then smoothly moves on with more important matters.
Marvel is often criticised (these days) for ruining serious moments with humour. But humour used to show character (and often, at the same time, major plot points) is genuinely clever. It’s also Marvel’s signature style, and although I very much admire their courage in having real stakes in this movie (unlike so many), clever character-building humour is almost always worth having.
The characters in this film spark off each other beautifully. Thor (oh so masculine) and Star-Lord (oh so wishes he was half as masculine) are very funny together, and so are Iron Man and Doctor Strange (two arrogant geniuses).
There are man-to-man hugs in this film, which is special (even though the hugs are quite restrained, presumably due to the whole “World’s Ending” issue).
For me, the most emotional moment was when Spider-Man died. Now I KNOW he’s going to be fine. He has another film coming up really soon! But when he realises that they lost, and he’s dying, he reacts like a very brave. . . teenage human. It’s actually lovely seeing him absolutely fall apart. Tony Stark’s face as he immediately knows he’s failed to protect a child is perfect too.
Although I know Spidey can’t die at this time, he can be horribly traumatised. His innocence makes his so vulnerable. Besides, I saw him die, and I’ll breathe a little less easily until I see him in the next movie and know that he’s really truly okay.
Loki’s death was quite lovely too, as he tried all his tricks and mischief only to fail—showing his deep love for his brother in the process. He’s redeemed, and in such a Loki-ish way. I will miss him.
And poor Gamora, laughing in triumph at the idea that Thanos is too evil to love anyone. . . realising far too slowly that he truly thinks he cares for her, and that she is the key to his awful triumph. As always, she is ready to sacrifice herself.
And then. . . bubbles.
The end of the film was incredibly moving, even as we all know they couldn’t possibly kill off so many characters at once. The confusion is worse than anger or sadness, and it’s beautifully done.
I want to see it again, even though it hurts.
But most of all, I want to see Part 2.
These are the important characters in the Marvel universe, and my predictions for their futures:
Tier 1: Have at least one solo film.
Iron Man, Thor, Captain America, Hulk.
These are the oldest (from Phase 1), and thus the four most likely to leave the MCU, possibly passing their mantle onto someone else (eg Bucky could become the new Captain America). I’m pretty sure Captain America and Iron Man will die (or genuinely retire) in Infinity War Part 2. Hulk is clearly having trouble switching personas; perhaps he gets to retire and invent things. Thor is rejuvenated by recent movies and is likely to stay on for a few more, but he will need to quit at some point.
Star-Lord (very much part of a group), Doctor Strange, Ant Man, Black Panther (also very much part of a group), Spider-Man.
These guys are new and shiny, and it’s unlikely the MCU is done with them yet. Doctor Strange is the least interesting, and is extremely powerful. So powerful that he’s likely to get killed so he doesn’t just solve everything all the time.
Tier 2: Big Damn Heroes (just not, ya know, THAT big)
Black Widow, Hawkeye, Nick Fury, Loki (some of the time), Heimdall, Bucky (some of the time), The Falcon, War Machine, Wong, Scarlet Witch, Vision.
Hopefully Black Widow will finally get a solo movie at some point. Hawkeye and Nick Fury are both disposable at this point; they can retire or die. Bucky’s trajectory is upwards. He is now called the White Wolf, who is a familiar comics character, but that doesn’t mean he won’t also become Captain America. Not sure about the rest except I think Scarlet Witch will stay because she’s young and it’s a logical choice to use her as part of a literal new generation. She and Spider-Man are similarly aged, very attractive, and with EXTREMELY different outlooks and life experiences. It would take time for them to get close, and it shouldn’t be romantic (Spider-Man has MJ; Scarlet Witch is going to need time to get over Vision) but I think it would be really interesting for both characters. Other than that, anything could happen to the members of this list.
Tier 3: Part of the Group
Guardians: Gamora, Rocket, Groot, Drax, Nebula (some of the time), Mantis.
The sisters had similar skills and issues, so it’s possible we see more of Nebula now—but it’s more likely she simply goes off on her own. Rocket, Groot, Drax, and Mantis are all really fun. . . but it’d still be a great group if Drax and/or Mantis were knocked off.
Wakanda: Shuri, the queen mother Ramonda, Okoye (Dora Milaje leader), Ayo, M’Baku.
Shuri is the new supergenius in town. The queen, as a Parent Of Hero, is likely going to die (very possibly of natural causes) at some point in the next few years. Okoye, Ayo, and M’Baku are always in genuine peril. They’re in that sweet spot for being killed: interesting enough to miss, but not so much to stick around indefinitely.
Tier 4: Their plots exist in relation to the heroes (although they’re often AWESOME in their own right).
Pepper Potts (Iron Man fiance), Jane Foster (Thor girlfriend; apparently broken up), Peggy Carter (girlfriend to Steve Rogers; also became head of SHIELD at one point and had a cruelly short-lived TV series), Agent Coulson (recruited people; killed in the first Avengers movie but got better and has a TV show), Wong (effectively Dr Strange’s assistant), Nebula (Gamora’s sister and Thanos’s daughter).
One hopes that Pepper Potts and Iron Man finally settle down. Either that or a horribly ironic death is likely for one or both of them. Jane Foster may never be mentioned again. Peggy Carter died of old age a while back. No one is in love with Wong, so he’ll probably remain in the sidekick zone for plenty of time to come (although Doctor Strange comes across as quite cold, so the writers may kill Wong in order to deepen Doctor Strange). Nebula is unlikely to die I reckon. It would be too similar to Gamora’s death at this stage.
Here is my son yelling Wakandan war chants with me:
I. . . can’t stop.
Dear Star Wars: Here is Your Script
I don’t often write fan fiction.
So this kind of happened as I wrote my thoughts after seeing “Star Wars: The Last Jedi” (I had so many feels it took me days to write and is 3000 words long.) It’s a VERY interesting film for writers, and so of course I analysed it in that vein.
The full (very spoiler-y) article is here, on a shiny new forum I’ve set up for the “Murder in the Mail” series. You can read the article immediately, but you need to register to comment. (If you register, you’ll get about three emails a year about the “Murder in the Mail” series, unless you unsubscribe.)
The “Murder in the Mail” series is a set of cozy mystery stories (one story so far, to be released in August/September 2018) told entirely through letters, postcards, objects, and art posted to the reader over the course of eight weeks. The forum is for fun (discussing things like Star Wars, and so on), and also for readers to talk amongst themselves and try to figure out the identity of the murderer before the final letter arrives.
There is (arguably) a VERY mild general character-based Star Wars spoiler below.
Basically I figured out the One True Way to resolve all the possible romances of the current Star Wars trilogy. Because I am a genius.
Insert anti-spoiler kitty!

Rose: *Takes Rey to a storage area where they can talk privately* So you’re a big hero, just like Finn. I guess you guys are… you know…
Rey: Um. *blushes furiously* Well I might sort of kind of think of him a little tiny bit that way. Maybe.
Finn: *Emerges bleary-eyed and shirtless from under canvas, and clutches it around his hips so the girls don’t see EVERYTHING* Rose? Rey? What are you doing here?
Rose and Rey: *wide-eyed panic*
Rey: You. . . heard us talking?
Finn: Me? Nope. Nuh-uh. Didn’t hear a thing. *Accidentally-on-purpose jabs his elbow into the canvas*
Poe: *Emerges bleary-eyed and shirtless from under canvas, clutching canvas around his hips, and hastily donning That Jacket* Oh, hi Rose. Hi Rey.
Rose and Rey: Ohhhhh! Er, we’ll just be going now.
Rose and Rey: *become best friends*
Finn and Poe: *adopt half a dozen children and live on a porg farm forever*



