Bits and Bobs from “Brass”

May 7, 2019 at 10:35 am (Daily Awesomeness, Escape Room, My Novels, Steampunk, Steampunk Australia Stories)

I spent last weekend at Nimmitabel’s Steampunk @ Altitude festival, and the weekend before that at IronFest in Lithgow, so it’s been a wild steam-powered ride for the last couple of weeks.

But a few old pics related to HEART OF BRASS just came to my attention, so I’m posting them here before they return to the aether and vanish.

First, here are two pics from an unusual book review. Mawson is a bear, and one of my fellow Odyssey authors (he’s published under the more visual “Publisher Obscura” imprint). You can read his full review of HEART OF BRASS here. Here are some photos Mawson took, featuring his friends:

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Mark O'Dwyer - Heart of Brass

(This is the sort of thing that makes writers go “Squee!”)

Now here’s something I don’t think the general public has ever seen before: a picture that the publisher (Odyssey Books) provided way back in the very beginning of the cover-making process. This is a fabulous pic, but we ended up not using it.

You can print it out and colour it in, if you like.

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Lovely, isn’t she?

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Guest Post: What doesn’t kill me. . .

May 6, 2019 at 10:19 am (Fully Sick, Steampunk, Writing Ranting)

Hello and welcome to Karen J Carlisle!

Karen J Carlisle is a writer and illustrator of steampunk, Victorian mysteries and fantasy. She was short-listed in Australian Literature Review’s 2013 Murder/Mystery Short Story Competition. Her first novella, Doctor Jack & Other Tales, was published in 2015 and her short stories have featured in the 2016 Adelaide Fringe exhibition, ‘A Trail of Tales’, and the ‘Where’s Holmes’ and ‘Deadsteam’ anthologies.

Karen lives in Adelaide with her family and the ghost of her ancient Devon Rex cat.

She’s always loved dark chocolate and rarely refuses a cup of tea. http://www.karenjcarlisle.com

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Karen is just about to release The Department of Curiosities. Here’s the blurb:

Miss Matilda Meriwether has a secret. Actually, she has several. One of them has shaped her adult life. Another now controls it. Her Majesty Queen Victoria has control of the Empire. She is the Empire, and creator of its secrets. Sir Avery works for The Department of Curiosities – the keepers of secrets – especially if they are useful to the Empire. When Tillie finds herself in the employment of The Department of Curiosities, she realises this is the perfect opportunity to uncover the truth she has been searching for. But the Queen has other plans for her.

The Department of Curiosities is a steampunk tale of adventure, a heroine, mad scientists, traitors and secrets. All for the good of the Empire.

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And here’s a guest blog:

What doesn’t kill me…

“Was mich nicht umbringt macht mich stärker.”

“That which does not kill us, makes us stronger.”

-Friedrich Nietzsche (German philosopher),

Twilight of the Idols (1888)

Today I’m writing about writing processes, the evolution of The Department of Curiosities and a long, long journey through the dark.

In 2012 my life changed. For six months I floundered. I’d worked since I was fifteen. Now, suddenly and unexpectedly, I wasn’t. I was lost. How had this happened? Why had this happened? Why me? Why?

I was given professional advice: do something I like. “Find your bliss,” they said. “Do something for yourself.”

I’d always wanted to be a writer and artist, so I turned to a quirky fantasy story that had been mulling around in my head since the late 1980s. But my mood was too dark for the characters. I didn’t blame them. There were other stories wanting to be freed. I turned to a steampunk story I’d been toying with… An adventure. It had a name: The Department of Curiosities. I started writing.

For almost a year I wrote, as my professional world began to crumble, and finally crashed in 2014. I felt used, abused, betrayed, and abandoned. My mental health was stretched. After twenty-eight years of looking after everyone else – my family, my patients – I had to learn to look after myself (not as easy as it sounds). I felt selfish. I felt exhausted. I felt useless.

I stopped writing.

The characters of The Department of Curiosities slipped back into the shadows not wanting to entertain the Black Dog. I didn’t blame them either. Eventually, Viola Stewart stepped forward, willing to sacrifice herself (and her eye) to support and guide me through the next three years. Jack the Ripper, and various nefarious villains, helped me explore motives and psychology as I delved into the darker side of humanity: why do people do what they do? In the process I confronted my own daemons and my personal Black Dog, which constantly nipped at my heels.

Being trained as a scientist, I needed not only to put a name to my emotions, but to discover why I felt this way. Almost five years of professional help, and I hadn’t progressed beyond: Anxiety, ‘deep breathing’ and ‘finding my happy place’.

In 2018 I changed professionals, and was challenged to confront myself. I was diagnosed with PTSD. I started desensitisation therapy.

Finally I felt a slight ease. Things made sense. There was the odd moment of calm. A smile here and there. Aunt Enid popped by, providing a glimmer of hope in my writing worlds. She was beginning to open the doorway back to my original fantasy story… but I wasn’t (and am not) quite there yet.

Tillie stepped forward. She was ready to be heard. I glanced over my notes, pulled out my original manuscript (of almost 80,000 words). I started at the beginning –rewriting, scribbling down notes and plot changes as I went. The story was a little darker than I’d originally envisaged, but overall was a much lighter story than Viola’s murder mysteries, with adventure at its heart.

The Department of Curiosities is my longest story yet – at 104,000 (ish) words/420 pages. Most of the plot has remained intact, though I’ve rewritten almost everything – cutting back on ‘tell’, rewriting ‘inactive’ sentences and adding extra characters. I’ve learned so much about writing in the past five years! During the process, I discovered Tillie, like me, has been fighting to control her own life.

I’ve heard people describe writing as a form of therapy. But it’s not an easy path (at least not the one I took), and not one for the faint hearted. I confronted some dark themes, shied away from some, and embraced others. I discovered catharsis. I’ve excised a character’s eye in revenge, peeked into the darkness of the soul, confronted the feeling of helplessness, and struggled to free myself (and my characters) from the control (or at least the perceived control) of others. I’ve even visited the happier memories from my childhood.

It’s been a long journey, and looks to be a long, rocky trek ahead. Writing has played a major part, sometimes taking me on unexpected side paths, but all heading in one direction: forward.

I feel like I’m starting to free myself from years of expectations and self-denial and neglect. I’ve found a way to work through some of my darker thoughts. It’s helped me to accept (on good days) that I deserve ‘me time’, to look after myself and my mental health. As Writing has made me stronger. I’m starting to believe in myself again. I’m facing my fears and anxieties one at a time. Sometimes I win. Sometimes they do. Perhaps one day I will bring that Black Dog to heel?

The Department of Curiosities is my fifth book – and my longest (if you don’t count that fantasy book still squirming in the back of my head), not only in word count, but in gestation time. I wrote another five chapters and shuffled two chapters into the second book of the trilogy.

I started this journey in 2013. It’s taken five years to see it to completion. It’s taken a year to finally finish the final version of the manuscript.

The Department of Curiosities will be officially released on 22nd May (Tillie’s birthday). A perfect time for new beginnings…

You can find out more information on where to buy it at: http://www.karenjcarlisle.com/shop Check out the book trailers at https://karenjcarlisle.com/books/the-department-of-curiosities/book-trailers-the-department-of-curiosities/

 

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If you want to follow the rest of The Department of Curiosities book launch blog tour, check out the links on my blog post: http://www.karenjcarlisle.com/DOC1bookblogtour You can sign up for my newsletter at: https://karenjcarlisle.com/sign-up-email-list/

Follow me on: · Twitter: https://twitter.com/kjcarlisle · Instagram: https://www.instagram.com/karenjcarlisle/ · Facebook: https://www.facebook.com/KarenJCarlisle/

Or support me on Patreon (for less than a cup of coffee a month and you get cool rewards!): https://www.patreon.com/KarenJCarlisle

 

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What is an escape room?

February 10, 2019 at 10:06 pm (Escape Room, funny, Steampunk, Videos)

An escape room is a team game that involves exploring a room and solving the puzzles you find there in order to get out.

In practise, that means being put into a room with a team and figuring out how to open and/or unlock various things. In Canberra, it is illegal to actually lock the room so although there is usually a large obvious padlock on the exit door, it is purely decorative (eg put on a second handle while the first handle actually opens the door). You can leave at any time (and come back in, eg after going to the bathroom or getting some air).

Most escape rooms take place in a single physical room, although some start in one room and take you through others as you progress through the various puzzles. Mine are one-room games that can be restricted to a tabletop if necessary, and they are macguffin-based ie you ‘escape’ by finding a specific magical item in one of the boxes, rather than by ‘opening’ a door.

Most escape rooms start you off in very dim light, so one of your first challenges is finding more sources of light. The darkness and lack of torches enhances the stress and forces you to work with your team-mates. Stress, frustration, and cooperation are huge elements in a well-designed escape room.

Another vital element is skill-sharing. A good escape room has a wide range of puzzle types, so different team members’ strengths can come to the fore eg. A puzzle box, a simple maths problem, a clue hidden in an unexpected location. I am terrible at puzzle boxes and not super mobile (so I won’t be crawling under tables if I can help it), but I can do maths.

Puzzle rooms tend to steer away from any maths harder than primary school level, because a lot of people hate maths. I have found that having a simple maths problem towards the end of the game is hilarious as people panic and can’t count good no more.

Each escape room has a fictional scenario to fire the imagination, and a timer counting down (usually the time limit is 1 hour, or 1.5-3 hours for much more complicated rooms).

During the last week both my parents and my siblings attempted my magical steampunk game, MADAM ALCHEMIST, and each session was filmed. If you’d like a better idea of how escape rooms work, I recommend watching the first and second videos. If you just like watching people alternatively swear and cheer, the third video is pretty much just that.

The first video includes an opening spiel by yours truly, and a few minutes of play by my parents.

The second shows a cut-down version of my brother and sister playing the room from beginning to end (complete with my patented sarcastic subtitles). It contains very mild spoilers ie you can still enjoy the game fully after watching (I edited it very carefully), but if you’re an experienced player I recommend playing the room before watching it. Of course, if you don’t live in Canberra/NSW then you might as well watch it.

There is some mild swearing.

The third is a super-short montage of my brother and sister’s play-through (all of which is also part of video #2). There’s almost no context, just the usual escape room experience of intermingled frustration, bickering, cooperation, and joy.

 

All clear? Good.

You can book through the store link above, or email me at MagicInTheMailStories@gmail.com to arrange a time and place of your choosing.

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Madam Alchemist

January 27, 2019 at 6:46 pm (Daily Awesomeness, Escape Room, Interactive Fiction, Steampunk)

This weekend is CanCon, and I have a stall there, with the tabletop version of my escape room (now called “Madam Alchemist” since it takes place in a mad scientist’s secret laboratory). I ran five play-tests during the day yesterday, and all of them went off without a hitch.

I also had people approaching me asking about party and conference packages. I seem to have discovered a market. *blink blink*

I’m already developing a second room, scifi/horror/comedy called “The Amazing Shrinking House” (adjective may vary) so I can run two different games at the same time… and sell a “Party Package” that lets party guests swap rooms so they can do two in one night.

Sometimes I wish I could buy my own products!

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This is the CanCon setup; the stall in its entirety. Also corset and tutu 🙂

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It was nice to see fairly equal proportions of men and women, and this notice in the ladies’ bathroom:

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Plus plenty of teens, some (usually slightly bored) kids, a range of age and fitness levels, and several gay couples and singles. CanCon is a happy place.

 

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Dogs, Goths, Kilts, Pirates, and Octopuses

October 22, 2018 at 10:43 pm (Daily Awesomeness, Steampunk)

Last weekend was the weekend of the annual Goulburn Waterworks Steampunk & Victoriana Fair. It’s always an absolute blast. The standard of garb at Goulburn is always amazing: corsets, top hats, pocket watches, waistcoats, bustles, crinolines, and epic boots galore!

I thought I’d do a super quick blog on some of the side effects of steampunk: some of the grand traditions that are steampunk due to pure coolness factor rather than any rational connections.

Goths of course.

Okay, that connection is obvious. Lace parasols and corsets for both men and women? Yes please! One of the many definitions of steampunk is that it’s what happened when goths discovered brown.

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(I’m sorry I didn’t turn that pic around the right way. I’m VERY tired. Not only was the Goulburn Steampunk Fair two days long this year—yay!—but I also just completed a 3-day speed game-writing jam. Over the same weekend!)

I believe I mentioned dogs. There’s a dog in my Iron Lights trailer (from the Goulburn Fair last year, in fact*) and there were loads of dogs (many in costume) this year too.

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Kilts and military attire are both well represented at such events (this year there were real cannons firing across the water, too!)

 

So if you like a man in uniform and/or admiring a man’s legs (or the unpredictable thrills of seeing men in kilts on a very windy day) then you should hang out with steampunks.

Especially if you like them sideways.

 

Ditto pirates and octopuses.

And reimagined superheroes/princesses.  I saw a lot of amazing steampunk Iron Men a few years ago. Lately lots of steampunk Wonder Women, and some really excellent steampunk Belles (especially at Supanova events).

My kids dressed as a unicorn rainbow princess (who then had her face painted as a kitten) and Batman (painted as a scary monster). As you can perhaps tell, my children are at the age when they’re very strong on external expressions of gender identity.

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Steampunks like cats too. Because steampunks are cool. So here’s a pic of Zipper I took today. May it please you.

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99 cents

September 1, 2018 at 9:30 am (Cat pics, My Novels, Steampunk)

IRON LIGHTS is on Amazon now, which probably means it’s almost everywhere! So to celebrate, Book 1: HEART OF BRASS is having a 99c promo.

I’m posting it here for those of you on an RSS feed.

https://www.amazon.com.au/s/ref=nb_sb_noss_2?url=search-alias%3Daps&field-keywords=felicity+banks

And here’s Zipper, but sideways.

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“Iron Lights” Book Launch

August 28, 2018 at 10:59 am (Advanced/Publication, My Novels, Steampunk, Steampunk Australia Stories)

Book launches are like holidays*: You look forward to them like crazy, and then when they’re over you’re deeply relieved. Win-win?

The first and third books of my steampunk trilogy were launched at the Canberra Writers Festival (2016 & 2018; the middle book was launched at Conflux 2017).

In 2016 the venue was the National Library of Australia, which was very cool!

This year the venue was Kings Hall in Old Parliament House (aka the Museum of Australian Democracy). It is, technically, a hallway between the senate and the hall of representatives. It’s a very nice hallway.

The pic on the left was taken by a good friend of mine. It’s King George in his Order of the Garter outfit. I’ve never wanted to give ‘best steampunk costume’ to a statue before.

Here’s my friend’s son out the front:

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And one of the chambers, which I was entirely blasé about beforehand, but found very impressive when I actually walked in. The whole museum is brilliant.

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The rest of the pics in this blog entry were taken by the brilliant writer and photographer Cat Sparks.

The selfies I took were blurry, but these photos are great. As is this:

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This picture is an absolute classic. TJ was in a stroppy mood all day and his face and posture is so him I adore it. And I like the way my skirt looks, too.

I brought an adorable waistcoat for him, and offered several bribes for him to wear it—all to no avail. Oh well.

The mischief continued throughout the day, although between pouts TJ was not-so-secretly having a grand time. And Cat Sparks caught it all.

But this is my favourite TJ sequence (with my friend’s kid—Louisette was deeply missed but TJ adores him):

 

There were events in the rooms to either side, so foot traffic had a very dramatic ebb and flow as sessions started and ended. I gave TJ a balloon to play with, and many fond looks were cast his way by the passing crowds. Then the balloon popped.

Kings Hall has a highly polished floor and very little furniture. It echoes, amplifying sounds in an incredibly dramatic manner.

The balloon popped… like a gunshot.

The room paused, subtly, as everyone there (and in rooms beyond the hall) thought, “That wasn’t a gunshot. . . was it?”

I called out, “It was a balloon!” so nobody properly freaked out, but even so a couple of security types came and checked that yes, it was harmless.

So that certainly livened things up. I imagine that if a balloon had popped in the foyer across the road (that is, in the current Parliament House, where Barnaby Joyce was speaking) then the response might have been even more exciting.

Moving on.

Dymocks Belconnen supplied all the books for the festival, and did a great job organising everything at their end. (They now have IRON LIGHTS in stock—signed—by the way.)

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Here’s the crowd desperately trying to restrain their ecstasy at the very presence of the famous authoress Felicity Banks.

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Here’s a compilation of volunteers and audience, most of whom are wonderful friends of mine:

 

And here’s Katie, aka the writer KJ Taylor, another Odyssey author who assisted me in editing Iron Lights and then volunteered to introduce me.

You can actually see from the pics why I like her (and not just coz she’s a good editor, a flattering reader, and she bought me flowers).

I did the typical launch thing of blabbing briefly, and then doing a reading. I tend to read opening chapters so the text can explain itself, but I felt there was a bit of exposition and fourth-wall-cracking in the first few pages so I was planning to skip some bits. But then I did my practice reading**. My launch took place after a week of transparently selfish machinations among the Liberal party (turfing out yet another Prime Minister), while also forcing moderates to face the horrifying spectre of the awful Dutton and/or Scott Morrison and/or Tony Abbott (three of the most racist politicians of our time) gaining in power (we now have ScoMo as PM, who is the best of the three… which is not saying much). And it was all too appropriate to read every bit my opening chapter, especially standing in Old Parliament House. Things like. . .

‘I can hardly give your precious police force credit for catching me, since I appeared as expected at the door of Parliament, along with tens of thousands of signatures on the grand petition for women’s suffrage.’ I suppressed a shiver, remembering how frightened I was that day. ‘And what is more, that impressive battalion of police utterly failed to stop me’—I waved generally at myself, indicating my small stature and misbehaving red hair—’giving said petition to the relevant gentleman… which led directly to universal adult suffrage in this great colony.’

Dry clenched his teeth in a manner I found highly amusing.

‘In fact, if it wasn’t for sweet little Emmeline Muchamore getting shot,’ I said, ‘my own dear Matilda might not have been included in the victory for women’s suffrage.’

Dry wasn’t the only man to hate the original residents of Australia. I wondered what I would have done if the parliamentarians had spent longer thinking about who they wished to exclude from political rights, and was glad I didn’t have to live in that world.

and. . .

In a darker world, men like Dry would have made sure natives could never have a true political voice. Not as long as white men lived, or as long as their children and their children’s children readily took on the burden of hatred.

If ever my own book was going to make me weep, that was the moment.

—–

Back when PM Kevid Rudd finally apologised to the Stolen Generation, Peter Dutton walked out of the chamber, visibly showing his loathing for a simple apology.

Is there any more damning indictment on the man’s character?

Unfortunately yes. There is his treatment of asylum seekers. But I digress.

 

I said my bit, signed my books, lurked about the place in case the literary- and politics-loving crowd would like a bit of steampunk, and then went home.

The pic on the left above has a quote in the background that begins, “I’ve always loved politics”. It’s part of an exhibition celebrating female politicians.

More than one person has pointed out that Julie Bishop was virtually ignored by her own part during the leadership chaos last week.

What a time to release a (slightly) historical novel. We have come so far, and yet there is so far to go for Australia to be a decent and fair country.

I hope that my over-optimistic, magical, cheerful books can show a little of what Australia could be.

And I’m so glad I write fiction.

*when you have children and/or disabilities.

** on the way to the launch, naturally.

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Say what??

August 22, 2018 at 12:13 pm (Advanced/Publication, I get paid for this, My Novels, Steampunk, Steampunk Australia Stories, Writing Advice)

This weekend is the Canberra Writers Festival, and I have not one but TWO book launches.

Saturday is the official launch of MURDER IN THE MAIL: A BLOODY BIRTHDAY (complete with a week-long art installation) at The Front cafe & gallery (Lyneham shops, 3:30-5pm). It’s not officially connected to the Canberra Writers Festival at all, just happening on the same weekend.

Sunday is the official launch of ANTIPODEAN QUEEN 3: IRON LIGHTS at Kings Hall in Old Parliament House (2:45-3:15pm).

Here’s where it gets interesting.

The organiser told me that Kings Hall had standing room only for up to fifty people, and  no catering available.

This is a pic of Kings Hall from the Museum of Australian Democracy (aka Old Parliament House) web site:

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So it looks like there may have been a typo in the organiser’s info. Just a zero. Nothing much.

The space is suitable for FIVE HUNDRED PEOPLE.

From the MOAD web site: “The bronze statue of King George V in the regalia of the Order of the Garter has been a central feature of the hall since the opening of the building in 1927. Open to the public from the earliest days and situated between the House of Representatives and Senate Chambers, it was a busy crossroads. During parliamentary sittings King’s Hall was a hive of activity swarming with members and senators, officers, journalists, secretaries, public servants, lobbyists and tourists.”

It’s really just a foyer/hallway. But WHAT a foyer (from the same web site).

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Since then I’ve spoken to the organiser again, who assured me there’s lots of other stuff going on, and that his description of “standing room only for 50 people” was accurate.

So, in conclusion, the space is SOMEWHERE between tiny and enormous. We may or may not have a microphone. We may have all of Old Parliament House mostly to ourselves, or we may be cramped behind a column in the foyer. Anything could happen!

See you Sunday?

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Cover Reveal: Iron Lights

August 3, 2018 at 7:12 pm (My Novels, Steampunk, Steampunk Australia Stories, Steampunk Series)

Here she is, in all her end-of-trilogy glory:

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And with her sisters:

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Wow. I can’t wait to have all three on a table.

Speaking of tables, this weekend is GammaCon Canberra, for all your nerdy needs!

You can find out more here, or just show up at Exhibition Park between 9am and 5pm this weekend (or 6-11pm Saturday, for Gamma @ night—yes I’ll still be there, drunk on tiredness).

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TrailerFest 2018

July 26, 2018 at 3:42 pm (Advanced/Publication, Interactive Fiction, Magic in the Mail, Murder in the Mail, My Novels, Pirates, Rahana Stories, Steampunk, Steampunk Australia Stories, Steampunk Series, Videos)

Today I decided that my 2-3 (I honestly don’t know) YouTube accounts needed tidying up, so I started a fresh new channel (because that simplifies things, right?) using the MagicintheMailStories@gmail.com email account.

As you may have guessed, I love doing my own book trailers. It’s so much fun!

The channel is here (don’t click on that; they’re all right here).

Then I slightly-edited ALL my existing book trailers to make sure they all link back to my store, and put them all on the magical new channel. And here, for your convenience… including the NEW trailer for IRON LIGHTS (with a sneaky cover reveal)… are all my book and story trailers thus far.

Antipodean Queen 1: Heart of Brass

This trailer took several days to make as I tried to capture the sense of the novel via visual images (a process that became tradition for all three Antipodean Queen trailers). It’s the first trailer I ever attempted, and my first go at iMovie too. I’d filmed the waterworks engine at the Goulburn Waterworks Steampunk & Victoriana Fair the previous October, and several of my friends like steampunk and/or historical garb (and dancing) so I found quite a lot of images that way, then filled the trailer out with some stock images, and some pics from Michael Estrada (who is very generous with his images; I found him on deviant art by accident some time ago).

There’s some adorably (I hope) bad photoshopping here, too: Combining a stock image of steampunk people with my own photo of a hot air balloon; the top hat on this trailer’s version of Matilda; the clumsy erasure of a modern background.

I have my own ideas about which people in this trailer represent which characters. The couple in the thumbnail are now married so they fit Matilda and Patrick rather well. In fact I usually run into them at the Goulburn Fair.

I remain pathetically grateful to FLAP! for letting me use three of their songs (one per trailer). I’ve seen them live twice (first in Melbourne, then Canberra) and I hope their component parts are still making music. This song is a true story about a convict’s attempted escape from a Tasmanian prison. The second is also a true story… this time about the time the lead singer fell off a cliff and broke both her legs!

Antipodean Queen 2: Silver and Stone

I was delighted to discover that the model Irina Braga (who features on the covers) had done three different steampunk photo shoots. The image below is one that hasn’t been altered. I actually stumbled across her husband on one of the facebook steampunk communities I’m part of, and he bought a copy of the first book.

This trailer benefited from the advance knowledge that it would exist; I deliberately collected images over time. One might argue that my daughter is the star here, and I am absolutely fine with that.

I’d noticed at my first book launch that it’s worth taking a moment to explain what steampunk is before carrying on. And that it’s fun to mix videos with still images (although stock video costs a LOT).

Yes, the first image after the opening train is indeed me, looking rather younger and fitter than I do these days. But I still have that corset 🙂

Antipodean Queen 3: Iron Lights

This trailer didn’t cost a cent. Almost every picture (and all three videos) were taken at—again—the Goulburn Waterworks Steampunk & Victoriana Fair. In fact the lady with the wings (Leanne, I think) had a not inconsiderable influence on the plot.

Eagle-eyed viewers may notice that the British flag-vested gentleman is the very same man that I thought of as ‘Patrick’ in the trailer for Heart of Brass, and that there are at least three versions of Emmeline in the one trailer (the woman with the clockwork handle in her back is author and model Tara Moss, who is a simply fantastic human being).

I was careful to include both my children this time. TJ is the boy in the brown aviator hat; Louisette is the tiara-wearing pirate (apparently “more treacherous than any sea” although she certainly doesn’t look it).

I LOVE the image of the three books side by side, and went back to add it to trailers #1 and #2.

The pictures of the lighthouse and the sea were all taken by me at the Lonsdale Lighthouse. ‘Miss Venture’ is a real historical image that I based the character on.

IRON LIGHTS will be launched on Sunday 26th August 2018 2:15-2:45pm at Kings’ Hall (Old Parliament House) as part of the Canberra Writers’ Festival.

Heest Trilogy 1: The Monster Apprentice (set in Rahana)

I wanted this trailer to feel quite different, so I hired some actor friends and told a story (of sorts) through the videos & music (this was a very expensive trailer). When I had all the internal illustrations, I added several of Tash Turgoose’s pics. I’m very pleased with the result.

Murder in the Mail: A Bloody Birthday

The fundamental appeal—and difficulty—of the “Murder in the Mail” story system is that it has to be explained to every single reader. For that reason, I tried to be as clear as possible. I filmed relatives of mine posting and retrieving A4 envelopes from mailboxes, and ultimately only used the “recipient” footage (although I like it a lot).

Louisette did some very matter-of-fact acting which I wanted to include but the “Murder in the Mail” artists gently pointed out that having a child prominently featured was rather confusing for a murder mystery story.

For some reason Adobe gave me several free stock images at just the right moment, so I used that plus some of the art that I had permission to use publicly. I paid for the music.

This trailer was very useful for the Kickstarter campaign, as it’s well above the usual Kickstarter video standards. This is what my trailers look like when I’m trying to be closer to the ‘professional’ end of the ‘professional to quirky’ scale.

Magic in the Mail story series (Emmeline’s Empire and Feuding Fae)

This trailer took perhaps half an hour, and cost nothing! The song is the same song that’s included with the Magic in the Mail: Emmeline’s Empire story, and I used 100% art images rather than stock images. I copied and pasted the Murder in the Mail trailer into a new file, and then simply changed it from there, being careful to echo the beats of the original without making the two trailers identical.

And since Magic in the Mail is more child-friendly than Murder in the Mail I could use Louisette’s face in this one. Winner.

 

Do I have any advice for people making their own trailers?

Hmmm. Try to keep it under a minute, with striking images and emotions that give a sense of the book rather than necessarily focusing on plot or characters.

Have an EPIC cover.

Keep in mind that you can get a pretty decent book trailer for $5 or so. 😛

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