Beginner’s Interactive Fiction, Part One: Twine in Five Minutes
Interactive fiction is any story that involves the reader in the story, usually by giving them choices along the way that change the text.
“Twine” is a tool that creates a story map as you write your story. It’s shockingly easy to use (speaking as a person who has major struggles operating her own phone).
STEP ONE: Go to Twinery.org, which looks like this:

If you can, download it as a desktop app. Otherwise, click on “Use it in your browser”. Press skip (or don’t press skip, and go through a quick tutorial that is better than this) and you’ll get to the screen that looks like this (if you are using the desktop app it won’t have the warning):

On the top left, click on “+New”. You can type in a title if you like, or leave it as “Untitled Story”.
Your new story looks like this:

Yay! You are now writing a story in Twine.
STEP TWO: Double click on the box in the middle of the blue space. Then your screen will look like this:

In the white box (aka a bigger version of the little blue box), type the first few sentences of your story.
Writing tip: In interactive fiction, most readers want you to get to a choice as quickly as possible, ideally within 300 words. This applies to every choice!
I am starting with two useful story hooks: An interesting setting, and an interesting problem.
Writing tip: Interactive fiction is usually a game (even when there are no sounds or pictures or animations), so using tropes is a VERY GOOD thing eg. Dirty violent pirates; dangerous nature; femme fatales or mad scientists. Try to think of your story as a game. If you were writing a pirate game, you would definitely want fighting, alcohol, historical weapons, and danger—so make sure those things are present in your story. When I wrote “Scarlet Sails” I started with a list of every pirate trope I could think of: betrayal, rum, ambition, gold, evil mermaids, treasure, sea monster, storms. Then I made a plot that linked them all. That is my most successful story.

STEP THREE: Make at least two choices (you can make as many as you like, but it will get out of control extremely quickly, so I recommend starting with two).
I have chosen:
- Take Redbeard’s sword and challenge his friend to a fight to show how fierce you are.
- Sneak up the other ladder and dive overboard—perhaps you can swim the rest of the way.
In order to tell the computer that I want them to be choices, I type them up like this, with double square brackets at the beginning and end.
[[Take Redbeard’s sword and challenge his friend to a fight to show how fierce you are.]]
[[Sneak up the other ladder and dive overboard—perhaps you can swim the rest of the way.]]

Twine instantly creates two new boxes; one for each choice. You can rearrange the boxes by clicking on them and dragging them around. Here’s the same page after I’ve rearranged them so I can see everything better:

To write the next sections, I double-click on either box and start typing the next bit of the story. Here I’ve written a bit of story and another pair of choices. Because I used [[ and ]] again, Twine has made two more boxes for me.

And the story is up and running!
Let’s stop here and see how it looks for a reader. Click once to highlight the original box (the one with your title or “Untitled Passage”) then go up to the menu and click on “Test from here”. It will automatically open a new window.
The choices are in bright text, and I can click on either of them. I choose the second choice.


If I click on either of these choices I get a blank screen, because I haven’t written them yet.
Note the “back” arrow on the top left of the black screen. If the reader changes their mind about a choice, they can go back.
Aaaand that’s it! That’s how you write a story in Twine! Congratulations! Here’s a kitten picture to celebrate.

BUT if you used your browser, you MUST save after each session, because if you don’t touch your story for seven days it will be deleted.
STEP FOUR: Saving your story.
Close your ‘testing’ browser window so you’re back to your usual blue screen. Click on “Build” in the upper menu, then “Publish to file” on the menu that appears below it.
Your story file will go to your downloads folder, and if you open it, it will look exactly like it does when you test it online (but it will not require an internet connection to open). You can email it to friends to read.
Writing Tip: Did you notice the typo in the very first choice in this story? “chellenge” should be “challenge”. The easiest way to fix it is in the very first box, here, where the choice is written:

It will automatically fix the typo in the title of the next box.
STEP FIVE: When you’re ready to learn more, go back to Twinery.org and pay attention to this section:

There are great articles for beginners on the left.
And, Twine comes in four “flavours”: Chapbook, Harlowe, Snowman, and SugarCube. Once you’re getting better at Twine, you’ll need to pick which one or ones suits you best. Use the “Twine Cookbook” to decide which one you want to try, then use the online guide on the right.
STEP SIX: Time to join the community.
The interactive fiction community is pretty great. It is usually very inclusive (especially of women and LGBTIQA+ people). One of the places people hang out is https://intfiction.org and it is definitely worth signing up and having a look around, then joining in the conversations. (They’re getting a lot of spam at the moment, so it may take a little while to prove you’re human.)
Welcome, and enjoy!
The next lessons will include writing with ChoiceScript (which is better than Twine at book-length stories), the Choice of Games forum (for users of ChoiceScript), and how to keep your many many branches under control.
Farting My ABCs: Chapter 2
I have some great news about FARTING MY ABCs… but I can’t tell anyone about it yet.
Anyway, here’s Chapter 2!
In other news, TJ is now up to twenty backyard baskets.
Today Louisette is wearing tiara, two tutus, and her dressing gown.
I’m feeling… okay. Four day weekend!!!!
Art of the day: Another middle grade series by a wonderful Aussie author (wonderful at heart as well as talent; I have met both Sandy Fussell and Pamela Freeman and they’re everything you hope a famous author could be): Princess Betony by Pamela Freeman (who also writes historical fiction as Pamela Hart).
Death at the Rectory
It’s been a long, long time but I finally have another ChoiceScript interactive story.
DEATH AT THE RECTORY (iOS, Google Play, Amazon, etc) is a cozy crime mystery (with magic) which was very much inspired by the real-life rectory of St John’s Anglican in Gundagai. Here are some pics from the actual rectory:
And here’s a bit of the church, made of the same beautiful local slate:

I’m no professional photographer, though, so here’s the real cover (and an unrelated church):

Want those shiny links again? Here they are!
Goulburn Comic Con & Wagga GammaCon
So I’ll be quite busy for the next 8 days as Goulburn Comic Con is literally tomorrow (free entry, Veolia Arena, 10am-5pm) and Wagga Wagga Gamma Con is literally one week later.
I haven’t been to either event before but I’m very excited about both.
Goulburn Comic Con is actually the reason my kids’ fantasy trilogy is accepted for publication. My publisher was there two years ago and came home desperate to have some more Middle Grade (roughly age 10-14) fiction. Guess who happened to have a completed middle grade trilogy sitting on her hard drive?
I literally received the physical copies of Book 2 yesterday, ready for Comic Con. Here it is!

Or, if you prefer to see your books side by side…

Look, I know book covers don’t gotta be pretty to be fantastic, but MINE ARE and I’m glad of it.
My parents lived in Wagga not long ago, and both my sister (of “Octopus and Family” fame) and I will have stalls there. ROAD TRIP BABY.
Right now I have the flu and I am semi-delirious. Tomorrow should be an interesting day!
Shooting Through: the escape room that comes to you
It’s happening.
I’ve playtested the escape room three times so far, spotting serious mistakes on my part every time and fixing them for the next time.
Today is the beginning of the Invasion Day long weekend, so I’ll be at CanCon—Canberra’s annual board gaming conference.
The perfect place to test it way, way more!
This weekend I’ll be running free tabletop versions of the game… and signing people up to play it for real.
Here are some gorgeous pics, all taken by Louisette!

Zipper investigates.

Zipper cheats her way out.
Naturally, Louisette focused on the lollies (literally).

Everything in the above picture was laying around the house, waiting for this moment.
Tentative price list:
$25 per person, with the following minimums:
$100 minimum if it’s in my back yard (running approximately 8-9:30PM including introductions).
(NB This will be moved inside if the weather is too hot/cold/rainy, which is rather cramped by climate controlled. It should be noted that my cat will almost certainly come and say hello, and that I supply bug repellant.)
$200 minimum elsewhere in Canberra (or by appointment when I’m at a nearby conference/fair/festival).
(I require a room that can be darkened, free of trip hazards, with a table and chairs—in a house that is fairly accessible by moving trolley.)
I’ll almost certainly increase the price when I’m more confident.
How to book/ask questions:
At the moment, email fellissimo@hotmail.com and/or magicinthemailstories@gmail.com to talk dates and times. Most Saturdays are good for me coming to you, and 8pm is usually good at my place any night except Wednesdays (but definitely including Saturdays).
How long does it take:
Theoretically 1 hour, but usually closer to 2. Allow 2.5 hours if you can, and advise me if anyone in your team has specific time restrictions.
Physical restrictions:
It’s great for wheelchair users (because you can play sitting at a table—although your team members will need to cooperate to pass things close enough for you to examine).
I think most physical or mental restrictions can be balanced by having a range of ability in the group (in much the same way that there’s bound to be ONE person who can add a string of numbers without screwing them up… right?)
There are no physical challenges.
Is it scary?
You will be operating under a threat of (fictional…) monsters, competing against a clock, in near darkness. So the level of scariness depends on your imagination. But it’s definitely rated G, and safe for kids of virtually any age BUT escape rooms are intrinsically frustrating and some items are fragile or sharp. Use your discretion. Kids 10+ should be genuinely useful in places; kids 4+ should be okay IF they’re very well behaved and calm.
Art for Schools
The full list of MURDER IN THE MAIL: A BLOODY BIRTHDAY contributors is here, but this article is specifically about the art from the exhibition currently showing at The Front cafe & gallery, with teachers and school principals in mind. I have chosen the most school-appropriate image from each artist to recommend (and have neglected Annabelle Lee because her books are too naughty, and I know she’ll forgive me).
These pictures are especially well suited to English, Art, History, and Psychology departments.
YES, Felicity Banks (yours truly; curator, head writer, and novelist) is available for discounted school author visits and the MURDER IN THE MAIL: A BLOODY BIRTHDAY story can be purchased here. It is suitable for 12+.
For schools/libraries, some prices are negotiable if the art is not sold during the exhibition period (especially if you buy more than one picture).
Michelle Bedford (Kija/Jaru people)
Full Moon Beaming
original painting
55 x 65 cm
$600 framed
Why buy it?
Because every school should display some original Indigenous Australian art. Michelle is a Canberra artist and poet who is active in the local community.
This is a great piece celebrating nature and it’s best hung next to a window so the specks of shining paint in the moon can be brought out.

Shauna O’Meara
Naomi’s Room
fromMurder in the Mail: A Bloody Birthday
limited edition print
42 x 30 cm
$250 framed
Why buy it?
This is an incredibly detailed piece that works best in the context of the MURDER IN THE MAIL: A BLOODY BIRTHDAY story. I can include a folder/display version of the story so students can explore interactive storytelling.
There are five clues in the picture, some of which require specialist knowledge (such as written Japanese) as well as a large number of ‘Easter Eggs’ (such as books by several authors who each wrote a character in the story).
Shauna O’Meara is an award-winning Canberra artist and writer.

Jane Virgo
Cattitude
fromMurder in the Mail: A Bloody Birthday
“There’s something you don’t know about me.”
original painting
42 x 60 cm
$500 framed
Why buy it?
This is a painting of Canberra writer Cat Sheely by Canberra writer and painter Jane Virgo.

Adam Lee
National Museum
fromMurder in the Mail: A Bloody Birthday
“I kept her secret because it was hers.”
photograph
60 x 42 cm
$350framed
Why buy it?
This is a stark and elegant photograph of a Canberra icon by a Canberra photographer.

Tash Turgoose
Hands
fromMurder in the Mail: A Bloody Birthday
“When I draw, the world disappears.”
limited edition print
30 x 42 cm
$250framed
Why buy it?
This minimalist picture shows how a skilled artist can use detail to render a simple image powerful—and that it is possible to draw hands well!

Keely Van Order
Rorschach
fromMurder in the Mail: A Bloody Birthday
“It’s over. And also beginning.”
limited edition print
42 x 60 cm
$350framed
Why buy it?
This complicated image has a million different interpretations. Is it wings? Faces? A blot of ink? A person could see a different image every day and never run out of impressions.

Murder in the Mail Art Exhibition Opening
Today is Saturday, August 25, 2018.
Today MURDER IN THE MAIL: A BLOODY BIRTHDAY was officially launched with the beginning of a week-long art installation at The Front cafe & gallery (1 Wattle St, Lyneham, Canberra).
It featured all eight pieces of story art (you can see them here), plus several bonus pieces (three Octopus pics/puns from Annabelle Lee, who designed both the MURDER and MAGIC logos; a Ditmar Award-winning piece by Shauna O’Meara; a second portrait by Jane Virgo—of the famous writer Isobel Carmody; and one sneak preview of the MAGIC IN THE MAIL exhibition which will run at The Front on precisely this weekend in 2019).
And cake, by Cassie’s Custom Creations, based on the cake drawing by Shauna.
All the Canberra MURDER artists attended—Annabelle Lee, Adam Lee (yes, they’re husband and wife as well as being two extremely different visual artists), Jane Virgo, and Shauna O’Meara. (Tash Turgoose lives in Brisbane and Keely Van Order lives in Melbourne.)
I very much enjoyed having several of “my” artists in the same room, and although all the artists are scattered about Australia and the world, I was able to gather all but one of their books (Phil Hore’s book is soon to be published by Odyssey Books) which was awfully enjoyable for me too.

You can see them all rather more clearly here, of course. It’s rather a respectable bookshelf—and all Odyssey and Obscura authors, naturally.
But of course you want to see the cake, don’t you?
Well… you can’t.
The above (and below) photos were taken on my phone just before I packed up. My good friend (and printer) Jason Tankard was the official photographer, and he took about a billion photos, especially of the cake… so I knew it would be most thoroughly documented… and didn’t take a single pic of it myself.
Here’s the art by Shauna O’Meara, if that’s any comfort:

And here are some lollies. That’s Lindt on the table, and the mini trifle dish has Kool Mints, dark chocolate Maltesers, and Jaffas.

But of course it’s the art you really want to see. This is a terrible picture, but it’s better than nothing:

The art will stay at The Front for at least a week. If you like coffee, art, or cafes in general, go and check it out!
The food is rather good too (I was careful to test it, because I’m a professional in such matters).

That’s ginger and sweet potato hotcakes on the left, and “AVOCADO” on the right (with sourdough bread, beetroot hummus, etc).
The crucial questions:
Did I sell billions of dollars’ worth of stories, books, and art?
Just hundreds.
Did I have fun?
So, so much yes.
Was the cake good?
Yup.
UPDATED: Here is the cake!
I realised alarmingly recently that everything I know about running an art installation I learned from Ocean’s Eight. So there were certainly some bumps along the road (to this day I don’t know what percentage the cafe gets from my sales… somewhere in the vast gulf between 20% and 60%) but the art is in a great public space, MURDER IN THE MAIL: A BLOODY BIRTHDAY is on sale there, and it was an incredible day.
Tune in tomorrow for the thrilling debrief of the Antipodean Queen 3: Iron Lights book launch at Kings Hall, Old Parliament House (aka the Museum of Australian Democracy) 2:45-3:15pm.
Or, you know, just come 🙂
Book Week activity for pre-school to Year 4 kids
Last year, I wrote a story with my daughter’s Kindy class. This year I’m going one better (or at least noisier) and writing a story with my son’s pre-school class. This is a fairly fancy* pre-school, so even in pre-school the kids are encouraged to write their own names, and most can write the first letter.
I start off the class by saying that I’m a writer, and waving a book around—perhaps one of mine; perhaps one from their shelf (pointing out the author name in either case).
Optional parts of the opening (for older kids):
-Talking about how a lot of books have both an author/writer and artist/illustrator.
-Talking about how books can be true stories or made-up stories (fiction and non-fiction), keeping in mind that younger kids genuinely can’t distinguish between reality and fiction in the same way older kids can.
-Talking about how writers send their words to a publisher, who arranges printing and sends the books to a shop.
-Reading a book to the class.
The central message of the opening spiel:
I have written a book but it’s not finished and I need your help! There are no names in the book, and no pictures!
Preparation:
-A binder with lots of those clear plastic sheets inside, like these.

-A title page and beginning to the story, an end, and a lot of pages that are complete (and interchangeable) except for requiring a name.
Eg. For pre-schoolers:
Title Page:
1R [or whatever the class is called] Story
Page 1:
One day there was a pre-school class with lots of friends.
Middle (many copies of each):
______ is clever.
______ is kind.
______ is strong.
______ is funny.
Final page: What a great class! The End
I explained that there were four describing words and that all of the kids were all of those four things, but they needed to pick their favourite (and I also had four people—my two kids, and two teachers) stand in different parts of the room to gather their groups (the kind group, the strong group, the clever group, and the funny group). I was quite pleased with how gender-diverse the results were (although of course one boy said “[Girlname] isn’t strong!” and I said, “Yes she is!” and moved on).
Then I handed out the piles to each group, and had the kids write their names and draw a picture on their page, giving them back to me when they finished.
I put them back into the folder in random order, checked it was all legible, and then when everyone was done I gathered them back on the mat and read the finished story. Then I let the class have the finished story. (The teachers can photocopy it and email copies to all the parents if they want.)

Feel free to use and adapt this lesson as much as you like.
If you feel grateful, buy one of my books from my store. The Monster Apprentice is suitable for 8+ (it’s like Narnia with pirates) and the Antipodean Queen steampunk fantasy books are suitable for 13+ (with bonus bits of much-mangled Aussie history). In both cases, advanced kids can go ahead and read them at a younger age. I read The Monster Apprentice aloud to Louisette when she was 5, but skipped a couple of scary bits.
*debate the merits of early literacy training in the comments!





