This weekend is the Canberra Writers Festival, and I have not one but TWO book launches.
Saturday is the official launch of MURDER IN THE MAIL: A BLOODY BIRTHDAY (complete with a week-long art installation) at The Front cafe & gallery (Lyneham shops, 3:30-5pm). It’s not officially connected to the Canberra Writers Festival at all, just happening on the same weekend.
Sunday is the official launch of ANTIPODEAN QUEEN 3: IRON LIGHTS at Kings Hall in Old Parliament House (2:45-3:15pm).
Here’s where it gets interesting.
The organiser told me that Kings Hall had standing room only for up to fifty people, and no catering available.
This is a pic of Kings Hall from the Museum of Australian Democracy (aka Old Parliament House) web site:
So it looks like there may have been a typo in the organiser’s info. Just a zero. Nothing much.
The space is suitable for FIVE HUNDRED PEOPLE.
From the MOAD web site: “The bronze statue of King George V in the regalia of the Order of the Garter has been a central feature of the hall since the opening of the building in 1927. Open to the public from the earliest days and situated between the House of Representatives and Senate Chambers, it was a busy crossroads. During parliamentary sittings King’s Hall was a hive of activity swarming with members and senators, officers, journalists, secretaries, public servants, lobbyists and tourists.”
It’s really just a foyer/hallway. But WHAT a foyer (from the same web site).
Since then I’ve spoken to the organiser again, who assured me there’s lots of other stuff going on, and that his description of “standing room only for 50 people” was accurate.
So, in conclusion, the space is SOMEWHERE between tiny and enormous. We may or may not have a microphone. We may have all of Old Parliament House mostly to ourselves, or we may be cramped behind a column in the foyer. Anything could happen!
Speaking of tables, this weekend is GammaCon Canberra, for all your nerdy needs!
You can find out more here, or just show up at Exhibition Park between 9am and 5pm this weekend (or 6-11pm Saturday, for Gamma @ night—yes I’ll still be there, drunk on tiredness).
Today I decided that my 2-3 (I honestly don’t know) YouTube accounts needed tidying up, so I started a fresh new channel (because that simplifies things, right?) using the MagicintheMailStories@gmail.com email account.
As you may have guessed, I love doing my own book trailers. It’s so much fun!
The channel is here (don’t click on that; they’re all right here).
Then I slightly-edited ALL my existing book trailers to make sure they all link back to my store, and put them all on the magical new channel. And here, for your convenience… including the NEW trailer for IRON LIGHTS (with a sneaky cover reveal)… are all my book and story trailers thus far.
This trailer took several days to make as I tried to capture the sense of the novel via visual images (a process that became tradition for all three Antipodean Queen trailers). It’s the first trailer I ever attempted, and my first go at iMovie too. I’d filmed the waterworks engine at the Goulburn Waterworks Steampunk & Victoriana Fair the previous October, and several of my friends like steampunk and/or historical garb (and dancing) so I found quite a lot of images that way, then filled the trailer out with some stock images, and some pics from Michael Estrada (who is very generous with his images; I found him on deviant art by accident some time ago).
There’s some adorably (I hope) bad photoshopping here, too: Combining a stock image of steampunk people with my own photo of a hot air balloon; the top hat on this trailer’s version of Matilda; the clumsy erasure of a modern background.
I have my own ideas about which people in this trailer represent which characters. The couple in the thumbnail are now married so they fit Matilda and Patrick rather well. In fact I usually run into them at the Goulburn Fair.
I remain pathetically grateful to FLAP! for letting me use three of their songs (one per trailer). I’ve seen them live twice (first in Melbourne, then Canberra) and I hope their component parts are still making music. This song is a true story about a convict’s attempted escape from a Tasmanian prison. The second is also a true story… this time about the time the lead singer fell off a cliff and broke both her legs!
I was delighted to discover that the model Irina Braga (who features on the covers) had done three different steampunk photo shoots. The image below is one that hasn’t been altered. I actually stumbled across her husband on one of the facebook steampunk communities I’m part of, and he bought a copy of the first book.
This trailer benefited from the advance knowledge that it would exist; I deliberately collected images over time. One might argue that my daughter is the star here, and I am absolutely fine with that.
I’d noticed at my first book launch that it’s worth taking a moment to explain what steampunk is before carrying on. And that it’s fun to mix videos with still images (although stock video costs a LOT).
Yes, the first image after the opening train is indeed me, looking rather younger and fitter than I do these days. But I still have that corset 🙂
This trailer didn’t cost a cent. Almost every picture (and all three videos) were taken at—again—the Goulburn Waterworks Steampunk & Victoriana Fair. In fact the lady with the wings (Leanne, I think) had a not inconsiderable influence on the plot.
Eagle-eyed viewers may notice that the British flag-vested gentleman is the very same man that I thought of as ‘Patrick’ in the trailer for Heart of Brass, and that there are at least three versions of Emmeline in the one trailer (the woman with the clockwork handle in her back is author and model Tara Moss, who is a simply fantastic human being).
I was careful to include both my children this time. TJ is the boy in the brown aviator hat; Louisette is the tiara-wearing pirate (apparently “more treacherous than any sea” although she certainly doesn’t look it).
I LOVE the image of the three books side by side, and went back to add it to trailers #1 and #2.
The pictures of the lighthouse and the sea were all taken by me at the Lonsdale Lighthouse. ‘Miss Venture’ is a real historical image that I based the character on.
IRON LIGHTS will be launched on Sunday 26th August 2018 2:15-2:45pm at Kings’ Hall (Old Parliament House) as part of the Canberra Writers’ Festival.
I wanted this trailer to feel quite different, so I hired some actor friends and told a story (of sorts) through the videos & music (this was a very expensive trailer). When I had all the internal illustrations, I added several of Tash Turgoose’s pics. I’m very pleased with the result.
The fundamental appeal—and difficulty—of the “Murder in the Mail” story system is that it has to be explained to every single reader. For that reason, I tried to be as clear as possible. I filmed relatives of mine posting and retrieving A4 envelopes from mailboxes, and ultimately only used the “recipient” footage (although I like it a lot).
Louisette did some very matter-of-fact acting which I wanted to include but the “Murder in the Mail” artists gently pointed out that having a child prominently featured was rather confusing for a murder mystery story.
For some reason Adobe gave me several free stock images at just the right moment, so I used that plus some of the art that I had permission to use publicly. I paid for the music.
This trailer was very useful for the Kickstarter campaign, as it’s well above the usual Kickstarter video standards. This is what my trailers look like when I’m trying to be closer to the ‘professional’ end of the ‘professional to quirky’ scale.
This trailer took perhaps half an hour, and cost nothing! The song is the same song that’s included with the Magic in the Mail: Emmeline’s Empire story, and I used 100% art images rather than stock images. I copied and pasted the Murder in the Mail trailer into a new file, and then simply changed it from there, being careful to echo the beats of the original without making the two trailers identical.
And since Magic in the Mail is more child-friendly than Murder in the Mail I could use Louisette’s face in this one. Winner.
Do I have any advice for people making their own trailers?
Hmmm. Try to keep it under a minute, with striking images and emotions that give a sense of the book rather than necessarily focusing on plot or characters.
Have an EPIC cover.
Keep in mind that you can get a pretty decent book trailer for $5 or so. 😛
The (first?) “Murder in the Mail” Kickstarter was successful, raising thousands of dollars. You can read more about that story here.
As you can probably guess from the title, this led to further shenanigans.
There are currently TWO “Magic in the Mail” stories in development:
Magic in the Mail: Feuding Fae
This is a tale of two missing magical creatures; a phoenix and a water dragon.
Phoenixes and dragons hate one another, so foul play seems likely. Their concerned parents team up with some magic-sensitive mortals to follow the missing “children” and perhaps save their lives. The missing ones have left a trail of art behind them (because an encounter with a magical creature inspires wonderful art).
It is posted in three parcels, and includes artistic objects which you’re going to love!
It is also 100% G-rated.
$50 plus postage (or $40 if you buy the boxed set in person at a conference/fair) through the store right here.
The first mail-out will be June **2019** but you can make preorders now.
This beautiful anuragnathus (yes it’s a real dinosaur) by Alan Lam is part of the story—and yes, the Chinese character is both a clue and a red herring.
What does a dinosaur have to do with a story of magical runaways?
You’ll have to buy the story to find out.
Magic in the Mail: Emmeline’s Empire (mini story)
This is a steampunk fantasy tale set in the same world of magical metals as all my other steampunk, including my novels (in fact it takes place at the same time as part of Iron Lights and the game Attack of the Clockwork Army).
A Perfectly Ordinary (she says) shop-keeper named Xiong joins a fledgling rebellion headed up by the famous Emmeline Muchamore. It’s a tale of secrets, hope, aeronauts, lighthouses, an alternate reality Charles Dickens, and fruit ices for all.
$30 plus postage (in a single pack because I’m trying to keep it affordable) from my store here. Available now!
The first mail-out is. . . within 6 months of the first order. Probably more or less instantly. This story is a much smaller operation than the others. I’ll be feeling my way as I go.
A stripped-down version will be included with my third steampunk fantasy novel (available in August 2018), with just two black and white pieces of art included. The full version has a build-your-own hot air balloon, handmade jewellery and a steampunk song by the Littmus Steampunk Band!
Here’s one of the pieces of art. This is a print of an oil painting by Graham Gercken, who takes special orders.
Since people tend to feel strongly about the genres of both crime and fantasy, “Magic in the Mail” has its own forum, here.
All my stories are available through my store here.
This is the final book in my magical steampunk trilogy. The first book is HEART OF BRASS and the second is SILVER AND STONE.
You can buy IRON LIGHTS here or a full Steam & Sorcery pack here (it includes all three novels, and the full version of Magic in the Mail: Emmeline’s Empire), or at Dymocks Belconnen.
It’ll be all over the place, in both print and digital formats, this October.
Emmeline Muchamore was respectable once. Her sweetheart, Matilda Newry, certainly put a stop to that. But when Emmeline gains magical insight into a disastrous future battle, she weaponises her wild reputation in order to draw trouble and death away from her adopted home…risking everything and everyone she loves in the process.
Iron Lightsis a steam-powered tale of honour, love, magic, adventure, and mechanical spiders.
The book was launched at the Canberra Writers’ Festival (26 August 2018) and is now available in paperback via my store. Digital versions at Amazon etc will be out soon.
ISBN: 9781925652444 (paperback)
The Iron Lights of the title refer to two famous historical lighthouses which play a vital role in the tale. There will be new and dangerous magic, another evolution of the flying machine, a clockwork army, and [redacted].
Here’s the opening:
If you’re worried that you won’t have any more of my books to impatiently wait for. . . don’t. I have another full trilogy already written and edited and waiting in the wings.
When I was eighteen years old and living in Indonesia, I invented a fantasy world called Rahana. It is a place with thousands of islands and millions of potential stories, where magic is considered to be just another trade. It’s best described as being a lot like Narnia, but with pirates.
The HEEST trilogy is written for children (but is, as always, just the kind of thing I love to read).
What an epic year. I spent over 15 years of my life writing novels that nobody would touch, and now that it’s started to rain it’s pouring (which is a wonderful thing).
I spent vast amounts of time on the Tin Man Games “Choices That Matter” app (Google Play and iOS). It’s a story hub for serial interactive tales and it has over a million downloads of the free sample sections. The three stories so far are:
“And The Sun Went Out”
A near-future scifi which I co-wrote with KG Tan and Alyce Potter. It had 60 updates over 15 months, and clocked in at just over 600,000 words (longer than “War and Peace”). Each read-through is about 150,000 words.
“And Their Souls Were Eaten”
I wrote all of this one (edited by Phill Berrie and KG Tan), set in the same steampunk universe as my Antipodean Queen novels, but with a completely distinct magical problem (and taking place in Europe). The finished tale is 400,000 words long, and after that I had a nice lie down.
“And Their Heroes Were Lost”
Phill Berrie is writing, and KG and I are editing (oh how the tables are turned, hey Phill?) This is also sci-fi, but I don’t want to give away any more than that! Phill is still working on this story, and his fans are clamouring for each new update.
I also wrote, edited, and published the novel “Antipodean Queen 2: Silver and Stone“, and will be finishing that trilogy in 2018 with “Antipodean Queen 3: Iron Lights” (that’s right: the title has changed since Book 2 was published).
AND my actually-rather-good pirate fantasy trilogy for kids (like Narnia, but with pirates) that I wrote many years ago has been accepted for publication and shall begin release with a free pirate mini-ball (live music, prizes, costumes, and everything!!) on Saturday February 17th.
“The Monster Apprentice” is the first book. And it’ll be illustrated, too! Plus (shh don’t tell) one of my very very very favourite Aussie authors is going to read it and give me a cover quote!
And I have three other very exciting projects coming out in 2018! One I can’t talk about yet, one will be published on the premium label at Choice of Games (they pay VERY well for books that make the premium grade), and one is called “Murder in the Mail: A Bloody Birthday” and is a murder mystery told entirely through postcards, letters, objects, and art. That link is to the shiny new forum where readers will be able to talk to one another about who they think is the killer, and how much they love all the art I chose!
2017 was a great year for my writing, and 2018 is going to be even better.
I wrote a guest post here about how I fell in love with steampunk. And it’s part of a series by a bunch of steampunky types.
I’m working on a new story called “Murder in the Mail: A Bloody Birthday” which will be released by Publisher Obscura, Odyssey’s imprint for “beautiful and unusual novelty and gift books by Australian and New Zealand authors and artists”.
The fundamental concept is that it’s a cozy murder mystery that is told entirely through letters, postcards, objects, and art prints—all of which are physically posted to the reader through the mail. There are seven writers altogether (one for each character, including the victim) and six artists (five from Canberra, one from Obscura who lives in Brisbane). The story runs for about eight weeks, and I chose (or in some cases commissioned) art that was both beautiful AND something that helped tell the story.
Yes, some vital clues are hidden inside the artwork itself!
The objects are also clues about the murder (or other secrets), and chosen to be small enough to post but also to engage the senses—hearing, smell, touch, and even taste. Obviously the art is somewhat visual.
I’m deliriously excited about this project, which will probably come together bit by bit over the next 6-12 months.
Here’s one of the pictures that will be in the story (as a physical A4 print):
This is one of the pieces of art from the story, which means everyone who buys the story gets a high-quality print of this (and seven other pieces in a range of materials). In real life, the photographer is Adam Lee. His website is here.
Update: The tentative release date is August/September 2018, and before then we’ll run a Kickstarter (which will have lots of fun & unique items, and will increase the advance given to all the contributors). And there will be a forum for people to talk murder, mystery, and art. Stay tuned!
Update: The story is well and truly up and running, with the main details here.
My “Big Idea” post is now live on John Scalzi’s blog. I talked about Australia, and what it means to me to set my steampunk tales in my own beautiful, deadly, complicated country.
At Conflux, and then again today at the Goulburn Waterworks Steampunk & Victoriana Fair, I was talking to a lot of people about Australia, and what it means to be Australian (both good and bad). I like my “Big Idea” article more and more. It articulates things that have been hard to figure out in my own head.
Today was a glorious day; my third year as a stallholder at the top-notch Goulburn Waterworks Steampunk & Victoriana Fair. Every year is better than the one before, and the organisers and volunteers are truly excellent (smart, capable, efficient, cheerful, and exceptionally well-dressed).
I sold a large pile of books to various people, which is guaranteed to make me happy—but the most encouraging part was how many people had bought my book last year and come back for more. I knew going in that people would come and tell me if they didn’t like it… and not a single person did. It was all hugs and puppies (literally; there was some excellent dog cosplay this year—with live dogs).
One of the great things about this particular fair is that it really is for all ages. It’s a gorgeous picnic-by-the-river setting, the steam engine itself is fascinating (the kids came home begging for more info on how steam engines work, so we’ve been watching YouTube educational videos), and there’s face-painting, food, and a playground. Plus of course dress-ups. Apparently dress-ups are not just for grown-ups.
Seriously, the outfits at the Goulburn Fair are to die for. This lady is Angelina Tran:
This year, like last year, Tara Moss herself came to wander about, talk to her many delirious fans, let people take photos of her every one-and-a-half steps, and to also enjoy the fair. Here are my hasty from-behind-my-stall-as-she-walked-past photos of her in her clockwork dress:
Last year I spoke to her for about three seconds and was so startled by her utter warmth it actually threw me. This year I knew what I was in for and so I… well, talked to her a little. She is a smart and fascinating woman (as well as being a model and rather excellent author). She is also someone who devotes a lot of her time to helping others. Not only is she a world-famous author, she’s one I happen to like to read (I avoid her crime but read her fantasy, since my own inclinations bend that way).
Gallery Serpentine was there this year and is also likely to return next year (if only because I’ll be calling them with my measurements in advance of the fair—they are the best quality corset makers in NSW, in my opinion).
Plus loads of music, dance, the crew of the Airship Sirius, a petting zoo, a teacup ride, and lots more that I missed because people kept buying my book!
The Waterworks engine is the one featured in my first book trailer (and it’ll appear in the third, too).
PS I have some big news which I’ll share soon. People on my mailing list will find out today. If you want to be on the mailing list, email fellissimo@hotmail.com with the subject line “MAILING LIST”.
I’m a writer of The Antipodean Queen trilogy, the Rahana trilogy, and many interactive tales including Murder in the Mail, Magic in the Mail, and the Shooting Through escape rooms (currently non-operational due to COVID-19).
My store is at shootingthrough.net/store
Chris is my partner, Louisette is my eight year-old daughter, and TJ is my six year-old son. My cats are Zipper and Zoom. I’m based in Canberra, Australia.