Marvel-ous Day 2
Uh… spoilers, by the way. For all of the MCU so far. I’ll try to stick to the film I’m in so if you haven’t seen them all you can skip the relevant entries if you’re that far behind the nerd curve.
***IRON MAN 3 (2013) Disney +
One-sentence summary: Stark makes way too many suits then blows them all up.
Superheroes: Iron Man (Tony Stark), James “Rhodey” Rhodes (War Machine, currently unsuccessfully rebranded as the Iron Patriot).
I barely remembered this movie but it’s actually incredible. Iron Man’s PTSD is severe, causing him to have manic episodes, constantly building better and better suits. And he has his first major panic attack early in the movie, which is very accurately written and acted. He responds to a kid, Erin, asking him to sign her Iron Man picture by scribbling on it and writing, “Erin help me” and then rushing outside and activating his suit to tell him whether he’s having a stroke or a heart attack. A lot of people with panic attacks believe they’re having a heart attack (and go to emergency wards), so this scene is bang on. (Happy has also picked up Stark’s paranoia.) He has several more panic attacks over the course of the film, panting and stressing and being annoyed at himself for having them.
I know what it’s like to be manic (why do you think I stayed up all night last night?) and I am all too familiar with panic attacks. This film has already won three stars for doing such a good portrayal of a brave person suffering through panic attacks, and of what that feels like.
Oh, and there are Christmas trees throughout the film (not to mention a giant bunny), which means this is a Christmas movie. That’s the rules.
*
Happy sees two bad guys looking stressed, and questions one about his “junkie girlfriend”. C’mon Marvel, stop using gay jokes. It’s painfully obvious that way, WAY too many of your writers are straight white men.
And minus many more points for not grabbing the chance to use an Asian actor for the Mandarin character.
*
Like an idiot, Stark publicly dares the Mandarin to attack him at his house, and publicly gives out the address. The Mandarin obliges, to which I say, “Nooooo! Don’t hurt that beautiful house!”
(Although, Stark throwing the suit onto Pepper is an awesome move, and she handles the suit pretty well too.)
*
Stark ends up stranded in a small town, holing up in a kid’s barn/workshop. Stark is so horrid to that (brilliant and cynical) kid, and somehow it’s charming. Also, the man is literally insane. (Speaking as someone who knows what insanity means from the inside; I’m aware that in a few years the classic cry of, “Are you insane!?!” will become offensive but it doesn’t actually bother me.) And the kid shows up again, briefly, in Avengers: Endgame.
*
Stark has a cool little fight scene against a mutant (lady) while he’s in handcuffs. Kids, THAT is how you up the stakes in a sequel (not with galaxy-spanning villains, who are too big to be truly interesting).
*
And the scene in which Stark is zip-tied to a bed frame and he knows his suit is on the way but it takes much longer than he expects is hilarious and brilliant…. What’s more, in the middle of the scene there’s a standoff with Stark and a low-level minion who raises his hands and says, “Honestly I hate working here. These guys are weird.” And Stark lets him go.
*
The reveal of the Mandarin as this wonderfully awful actor is even more fun on the rewatch, because you know it’s coming and can enjoy how utterly disgusted Stark and Rhodey are rather than focusing on the revelation itself.
*
Another iconic scene, as Stark saves thirteen people falling from a plane using the “Barrel of Monkeys” system. Genuine chills. And a nice BLAM at the end, complete with rolling head.
*
The final battle is excellent. Lots and lots of iron men doing cool stuff, without losing sight of the humans and human faces involved. And then there’s the heartbreaker moment, when Stark promises to catch Pepper, and… he misses. She falls 200 feet into a fire. His worst nightmare has come true, and all his manic preparations aren’t worth a damn.
Then, a bit later, she emerges from the fire, in a sports bra and pants, burning from within. And she takes out the big bad, who (let’s not forget) betrayed her more than Stark anyway.
And then, finally, Stark blows up all his spare suits. They couldn’t save him anyway, or protect Pepper, and it’s time to let go of his #1 defense mechanism. Which in his case is rather literal.
And the genius kid gets a fully-equipped lab.
And Stark sorts out the shrapnel still in his chest, and chucks his best arc reactor heart off a cliff where his mansion used to be. Then he ends a movie a second time with the line, “I am Iron Man.” Because he is who he is, even without a suit.
The credits do a nice visual recap of the whole Iron Man trilogy. The indulgence is richly deserved. It is one of the great film trilogies of all time.
Thank goodness for credits, by the way. They’re the closest thing to a break I’m taking đ
I got up at 10am, so operating on maaaybe four hours’ sleep today. I began watching this on my laptop over breakfast, then on my phone at the doctor (with headphones…not realising that the headphones were 100% not working so I was blasting it to the whole waiting room at full volume for twenty minutes), then on my laptop at home, then on my laptop at the in-law’s house while fetching TJ, then on my phone at a playground on the way home, then on my laptop in my room.
I’m forgetting words. Objects. Things. My vision feels… slippery. I put my shirt on backwards. I’m doing FINE.
But Chris came and told me he needs the car for work tomorrow, which somehow turned into him agreeing to run my errand for me. So I must be pretty sharp.
Post-credits scene: The Stark voiceover that bracketed the movie turns out to be Stark talking to Dr Banner, who has fallen deeply asleep. He tries and fails to explain to Stark that he’s “not that kind of doctor”. It’s a fun scene, and a satisfying end.
**THOR: THE DARK WORLD (2013) Disney +
Superheroes: Thor and Loki (arguably Captain America).
Stones: The Aether, red, which is powerful and which makes Jane Foster (human love interest and scientist) sick, so it must be removed. Plus the dark elves want it in order to destroy the nine worlds.
One-sentence summary: Thor and Jane get back together.
I was almost dreading this one. I couldn’t remember anything about it, and it’s got a reputation for being meh. But thisâthis, my friendsâis the film in which Loki begins his somewhat bumpy redemption arc.
So sure, there’s a lot of blather. But then there’s Loki.
Partway through the film, the arrogant trickster is brought low, not by prison, but by the death of his mother. Thor comes to him for help, and tells him to drop his illusionsâwhich he does.
He is sitting on the plain floor of his cell, with basic clothing, tangled hair, and bare and bloody feet. Wretched.
Moments later he’s iconic again: briefly shifting form to (among other characters) Captain America. It’s a fabulous moment.
And then, after faking his death (againâin a beautifully balanced farewell scene that is exactly 1% over the top so absolutely no one believes it’ll stick) he shapeshifts into King Odin and takes over ruling Asgard.
And the final iconic moment happens mid-battle, as the big bad and Thor fight in and out of portals connecting all the nine worldsâand Thor ends up at a train station and has to get back to the battle by riding the subway.
My 6 year-old (who is very emotionally sensitive) loves superheroes, and so I let him watch bits and pieces here and there. We did some ‘acting practice’ (lots of dramatic dying) and talked about makeup and prosthetics to help ground him in the real world, and when I explained how the battle kept shifting from world to world he understood how silly it was and laughed out loud.
Post-credits scene 1: Lady Sif and friends give the red stone to The Collector for safekeeping, since the Asgardians have another infinity stone on Asgard and they shouldn’t be stored together. Lotsa aliens.
Post-credits scene 2: Jane Foster is waiting for Thor to show up (kinda like he absolutely didn’t during the events of Marvel’s The Avengers)… and he does.
Post-credits scene 3: A giant dinosaur-like creature, still loose in London after the worlds-spanning battle, is chasing crows in an abandoned carpark. Oopsie.
***CAPTAIN AMERICA: THE WINTER SOLDIER (2014) Disney +
Superheroes: You guys can probably remember who’s who by now.
One-sentence summary: Shield is mostly evil, but the Winter Soldier gets mostly un-brainwashed, yay!
I’m now off the clock kid-wise so it should be super easy to finish this one. My goal is three movies and a lot of sleep today. I’m so very tired. Luckily this is a great film.
The opening scene is a (“nonromantic” wink wink) meet cute between Steve and Sam Wilson (who will become The Falcon). It’s great. Marvel doesn’t succeed because of their budget, but because they remember to have character moments like this. Wilson is jogging laps around a giant pool (I don’t know the name of it but maybe the Lincoln Memorial Pool?) and Captain America says, “On your left” as he passesâover and over again. From that, the two become friends.
Steve’s list of cultural things to catch up on is a great moment.
The first major iconic moment is when Steve visits his girlfriend, Peggy Carter, in hospital. She’s bedridden and ancient, having lived a very full life that included founding S.H.I.E.L.D. and having a husband and family. And Steve is so sweet and gracious, and glad to still know her, and the contrast between their young and old faces is a beautiful, painful thing.
It’s incredibly cathartic to see the famous and familiar badass, Fury, in a serious fight.
Then comes the famously unsettling revelation that Shield itself is compromised… and the famous scene in which Captain America is trapped in a glass elevator with just so, so many baddies. He knows they’re going to beat him up and they know he know. The elevator stops, and Steve says, “Before we get started, does anyone want to get out?”
No one moves for a long beat. Then Steve beats up everybody.
And we see the Falcon flying, yay!
These two Captain America sidekicks are both so iconic. I love wings. And also long-haired men with a tragic past.
In other news, I’m very bad with faces, so the reveal of the Winter Soldier being a brainwashed Bucky Barnes didn’t come to me for a long, long time. When we first saw it, Chris whispered who it was, and why that mattered. But from then on I was in love with Bucky and with his arc.
I am very much looking forward to the TV show.
So of course it’s iconic when Bucky’s mask comes off and Captain America has a chance to look at him, and sees his friend properly for the first time in seventy years, and says, “Bucky?!”
To which Bucky says, “Who the hell is Bucky?”
Fury’s life hangs in the balance, Shield is mostly evil, Captain America is on the run with his world falling down around him. But of course it’s the revelation that Bucky is, somehowâsort ofâalive that hits Steve the hardest.
Everything around him in this movie is custom made to crack Steve’s incredibly moral core. But he doesn’t crack. He doesn’t obey orders any more, but he is still the thoroughly good person he always was. Without all his pain and suffering, he’d probably be quite dull. Instead he’s compelling. And he still believes in the good in others, too. Amazingly, he is an influence on the cynical Fury and Black Widow, rather than them being an influence on him.
And then there’s the climactic helicarrier fight, in which Captain America is trying hard to save Bucky rather than quickly kill him. He puts hundreds of lives on the line because he loves his friend, and he’s incapable of giving up hope.
He saves the day, and then stays on board the doomed helicarrier to try to save his friend. And hope wins.
Post-credits scene 1: Hydra has Loki’s sceptre. And we see “the twins”: Quicksilver and Scarlet Witch.
Post-credits scene 2: The Winter Soldier is in the Captain America exhibit we all saw earlier, reading about himself. He has a beard, so has clearly been a-wandering for a while since he saved Captain America’s life.
Marvel-ous Day 1
Like every half-decent superhero geek, I plan to do a full rewatch of all the Marvel Cinematic Universe movies from Iron Man to Spider-Man: Far From Home aka The Infinity Saga aka Phase 1-3.
I’ll avoid any and all trivia, because there is SO MUCH, and I’ll stick to my personal reaction to the films as they stand. Sadly I wasn’t able to watch them in the correct order the first time around due to often being too sick to watch movies for months at a time (while pregnant twice).
I’ll rate each movie as fine (1 star), good (2), or great (3 stars but in a highly subjective mannerâif it’s got a special place in my heart, it gets three stars even if its just for one very special scene or image). There are a lot of 3 star ratings, because there are a lot of great movies in here. Plus themes of ‘good versus evil’ and ‘fighting on even when it hurts’ are very resonant with me, and the idea of having super powers and changing the world for good is basically my ultimate fantasy.
I began watching at 2:55pm on Wednesday, June 24 2020.
NB: I may have the stones info wrong. They’re not all that interesting, to be honest.
Also, you’ll notice a lot of the images I use are very obviously taken off a simple google image search (complete with a minimising ‘x’ etc). That is because I am lazy (and trying to watch the movies as I type), and because it is SO easy to get the exact right image with a basic search eg ‘Iron Man tank top’.
***IRON MAN (2008) Disney +
Main superhero: Tony Stark aka Iron Man.
One-sentence summary: Stark swears off weapons then immediately makes the best one ever.
Two-sentence summary: Billionaire genius Tony Stark realises his company is supplying weapons to the USA’s enemies and decides to stop weapons manufacture. Then he builds the iron man suit, which is more powerful than any other weapon, and he becomes a superhero as a resultâwhich he spontaneously admits at a press conference.
This is an incredibly good movie, from the very first scene which is charming and funnyâand then hits you hard.
The scientist character (Yensen) in Afghanistan is so awesome. And he’s alone and doomed but still wears a waistcoat. Respect, Sir.
Stark: “I’m going to be dead in a week anyway.”
Scientist: “Then this is a very important week.”
When I experience such good writing, usually of the ‘all hope is gone but we persevere’ variety, it makes me a better, stronger person. And reminds me of what I want to create in the hearts of my readers.
Also, this is a beautiful thing:
It’s amazing to see the beginnings of some of the characters that are such a big part of the MCU for years and years to come. Iron Man, obviously. Pepper Potts (love interest and workmate). Happy (Stark’s security guy). Coulson (S.H.I.E.L.D. guy) Paul Bettany’s voice (Stark’s extremely intelligent computer system, Jervis). James “Rhodey” Rhodes (Stark’s military friend/handler who will get his own iron man suit in a few films’ time). Stan Lee cameos. Oh, and Samuel L. Jackson as Nick Fury (boss of S.H.I.E.L.D. and the Avengers Initiative).
The scene in which Stark has Pepper replace his arc reactor from inside his chest is just incredible. It perfectly showcases his vulnerability (and her vulnerability and competence)… and what an asshole he is at the same time.
*
Stark about Rhodes: “Ask him about that lovely lady he woke up with. What was his name?”
Ouch. Trans humour. Not okay.
*
Speaking of ouch: Pepper Potts attempts to explain consent to her boss as he makes her dance with him while she’s clearly very uncomfortable. Kids, this is an excellent example of a ‘romantic’ trope that is actually deeply messed up and wrong.
*
Stark leaves the beardy baddie for a bunch of refugees, including children, to deal with? What are they supposed to do? Wait for the police to come? No, they’re going to kill him themselves. In front of their kids. You know what? That’s not as fun and awesome as the movie seems to think.
I’m really glad the big bad isn’t Muslim or Middle Eastern, though.
*
I’m 100% okay with comic book physics.
*
My absolute favourite moment in the climactic fight is when Stark flies super high, knowing that Obadiah would never have tried flying that high for sheer fun, like he did in his montage earlier. I also love what they do with size: the baddie’s suit is so much bigger than Stark’s suit, and then there’s Pepper, tiny little Pepper, tottering through piles of broken glass in her heels.
Chris and I (we were dating at the time) walked out of this movie delighted with how simply fun it was. Marvel gets criticised for undercutting so many emotional moments with funny lines, but I for one enjoy a dumb, colourful reality where the good guys are good (although also flawed) and they get to make a real difference. I enjoy that silly escapism more and more all the time.
And that post-credits scene blew our minds (Chris had to explain who Fury was; he is extremely knowledgeable on all things comics and graphic novel). Little did we know what an enormous phenomenon was just beginning.
In other news, I REALLY like Stark’s Malibu sea-cliff house. Can I have it please?
Post-credits scene: Epic reveal that there’s gonna be a whole UNIVERSE (as it were) of superheroes.
*THE INCREDIBLE HULK (2008) Had to rent it off YouTube đŚ
Superhero: Dr Bruce Banner aka The Hulk aka The Incredible Hulk
One-sentence summary: Banner is found by the government but eventually manages to go back into hiding.
Longer summary: Not necessary. The ex-girlfriend and the Abomination (another hulk, but spikier) are super important in this film but will never be seen again.
There are SO many tellings and retellings of this story (beginning of course with Dr Jekyll and Mr Hyde) that it can be a little tricky to get the right version. Knowing the year helps.
By far the most iconic scene in this film is the blood drop falling in a drink factory, and Dr Banner freaking out about it.
This is not a film I was looking forward to re-watching, but it’s got a lot of good stuff going on (putting the entire origin story in the opening credits was very wise, especially in a phase rife with origin stories). The chase scene in which Dr Banner has to keep his pulse down is great (fantastic scenery and good characterisation).
I’m not super sure about the beauty and the beast trope, but I don’t hate it.
Liv Tyler manages to get a cheekbone-highlighting cut in just the same place as she did in The Lord of the Rings: The Fellowship of the Ring.
First use of “Hulk Smash!” (by the Hulk; not as memorable as it will be later).
The final shot of Dr Banner meditating himself into a green-eyed smile is the other iconic moment of the film. I interpret it as meaning that, although he’s not “cured” as such, he is able to control his transformations now.
Overall this movie isn’t bad.
Post-credits scene: Stark chatting to a guy about possibly maybe joining The Avengers. Not actually that exciting, except that we didn’t expect to see Stark.
***IRON MAN 2 (2010) Disney +
Superhero: Tony Stark/Iron Man & introducing Natasha Romanoff/Black Widow. “Rhodey” Rhodes gets to be War Machine for the first time.
One-sentence summary: Stark refuses to let the military use his suit design and says it’ll be fine because bad people definitely won’t be able to make any suits; two different baddies make suits.
Two-sentence summary: Stark is brought into court because his suit is so powerful it should not be owned by one man because there are others building copies; Stark says it’ll be ages before there’s a decent copy and is promptly attacked by two other fully functional iron man suits and countless drone suits. He blows up a bunch of things, including a large model of the world, and is then given a medal. It’s good to be a rich white man.
There’s a nice Natasha Romanoff (Black Widow) intro.
There’s a central cast change for Rhodey/Rhodes (aka War Machine).
Elon Musk cameo. Remember when he was cool?
Iconic moment: Stark’s suitcase suit. The entire race/attack scene is excellent and memorable.
It’s good to see War Machine and Iron Man fighting the big bad together, especially given all that they go through friendship-wise in this film.
*
There was an moment in Iron Man 1 when Tony was drinking something very green and healthy-looking, which seemed a little out of character for such an irresponsible playboy. But in this movie we find out WHY. The amount of planning and connections in the MCU is absolutely incredible eg Coulson says, “I have to go see something out in New Mexico” (that’d be Thor’s hammer). That sense of overall purpose and consistency was extremely lacking in the most recent Star Wars trilogy.
It’s weird to see Black Widow flirting with Stark. Fortunately it doesn’t last long, and was 100% manipulation on her part.
For me the thing that makes this movie special is how Stark’s heart is literally killing him. It’s strange to rewatch it and see that it’s a relatively small plot point. For me, it’s everything.
Post-credits scene: Coulson in New Mexico seeing a giant crater (that is, a teaser for Thor).
***THOR (2011) Disney +
Superhero: Thor aka uh… just Thor (technically Thor Odinsson, but no one will ever call him Mr Odinsson so no need to remember that). And everyone’s favourite hero/villain/repeat: his (adopted) brother Loki. And the hammer, MjĂślnir. And oh, hello Hawkeye (aka Clint Barton). I 100% forgot you were in this film but actually you’re pretty cool in it.
Infinity Stone: The Tesseract aka the space stone (blue and shiny, not to be confused with the Casket of Ancient Winters, which was also blue and shiny and in Thor but is irrelevant to everything).
One-sentence summary: The god of thunder becomes less of an asshole.
Seeing a god as a fish out of water is genuinely amusing (people keep being surprised at how good a comedic actor Chris Hemsworth is). The most iconic scene is when Thor fights through a bunch of guys to get to the hammer… and he can’t lift it. The pain of that moment is what makes the film great (for me).
Hawkeye appears as one of Coulson’s S.H.I.E.L.D. people, and has a great opening line, as he is training an arrow on Thor. “You better call it Coulson, because I’m about to start rooting for this guy.”
Post credit scene: Somehow S.H.I.E.L.D. now has the blue shiny soul stone (aka The Tesseract, in its very first appearance), and also Loki is alive (surprise!) and looks like he’s in the process of getting hold of it.
***CAPTAIN AMERICA: THE FIRST AVENGER (2011) Disney +
Superheroes: Captain America, aka Steve Rogers. His best friend Bucky Barnes, later to become the Winter Soldier.
Stones: The Nazis have the Tesseract aka the space stone, which is blue (when Schmit holds it, it appears to kill him but actually sends him into space, to the planet with the soul stone, and changes actors at the same time but since his face is a red skull I didn’t notice the cast change until Chris pointed it out), which Steve takes into the ice with him at the end. Stark Sr finds it while looking (unsuccessfully) for Steve.
One-sentence summary: A good-hearted weakling turns into a good-hearted superhero.
Longer summary: A super nice kid turns magical but doesn’t stop being fundamentally kind and good. He sacrifices his life to save others (and wakes up seventy years later).
I really wasn’t enthusiastic about a hero with such a jingoistic, USA, ra-ra name. But of course now he’s my favourite of all the characters in all these movies, because his character is so pure. That is the heart of his heroism, and the heart of this movie. Bucky is also a thoroughly decent and great-hearted man, which is shown several times over. And of course we meet Peggy Carter (aka Agent Carter), and get the beginning of that tragically-shortened romance.
It’s fun to see Stark’s dad (also a genius playboy and very much involved in SCIENCE) and a Stark expo, including the giant world sculpture that gets set on fire in Iron Man 2.
The opening two scenes are a tad generic. It feels like the MCU is already getting a bit overwhelmed with the masses of its own information, and also that they realised (correctly) that “wimp getting beaten up” wasn’t the greatest opening scene for the film.
The scene of Steve getting injected with the super soldier serum is made iconic by Steve’s shout of, “I can do this!” when they’re about to shut down the (very painful) experiment. And of course by Peggy’s hilarious reaction when he comes out of the tank just so buff.
That scene feeds immediately into a fantastic chase scene that shows even more of Steve’s excellent character as well as helping us the audience and Steve discover his powers. And when a baddie chucks a boy into water and Steve immediately looks to see if he’s all right, the boy says, “Go get him! I can swim.” It’s a great moment.
And then there’s the pain he can’t quite hide as he’s made into a publicity stunt when he wants to be fighting… and he’s still kind to everyone he meets, and he can still smile wryly when one of his own very embarrassing propaganda films is showing when he goes to see a movie.
*
Speaking of iconic: when he walks back into a military camp, dirty and tired, with four hundred rescued soldiers… it’s so satisfying.
Losing Bucky is iconic too, because of Steve’s reaction.
The two nazi baddies (Zemo and Schmit I think) reappear multiple times throughout the Infinity Saga, but you don’t need to bother remembering them because as soon as they enter the room you can tell they’re evil, and as soon as they start talking their accent says, “Yep, Nazi”.
I am so glad that the MCU never “developed” Captain America’s character into an asshole, as so often happens with any story that lasts a long time. The knowledge that he’s still so noble and good fifteen movies later makes this movie even better.
It’s 2:30am now, and I’m close to the end of this film. Just one more film to cap off Phase 1, but can I make it? Even at home, switching between my laptop and the TV, my bed and my armchair, the sheer number of hours is now taking a toll. I’m doing some gentle physio exercises to keep from lasting injury.
I’m pretty much a hero, is what I’m saying.
At the end of this film, when Steve said goodbye to Peggy over the radio as he deliberately crashed his plane, I had tears in my eyes. But that might just be what happens after this many hours of TV.
The final scene is Steve waking up in the modern day. Which has a great, eerie feel to it as people have tried to ease the shock by setting up a fake environment in which no time has passed.
Post-credits scene: Samuel L Jackson recruits Steve. It’s totally meh these days, but at the time it was an exciting sign that they really were going to put all these superheroes together. I can’t tell you how unlikely this all was.
I suppose I’d rather live in the alternate reality which has intelligent/compassionate/honest politicians and mediocre TV, but for now I’ll enjoy what this reality does best: TV and movies to make us feel better about… everything else that’s happening.
MARVEL’S THE AVENGERS (2012) Disney +
Superheroes: Our original six: Iron Man, Black Widow, The Hulk (new actor; the final major cast replacement in this whole saga), Thor, Hawkeye, Captain America.
Stone: The Tesseract aka the Space Stone (blue). And Loki’s sceptre, which holds the mind stone (it’s blue in this film due to being powered by the Tesseract, but it’s usually purple).
One-sentence summary: Loki tries and fails to use a shiny to get more shinies.
Longer summary: Loki reaches peak evil (later ret-cons say the mind stone was making him more evil than he truly wanted to be). Hawkeye spends most of the movie as his zombie puppet. Black Widow is clever and competent. Thor is big and dumb. Iron Man is shiny and dumb. Captain America and Dr Banner do their best to be vaguely useful despite major negative emotions (grief and anger, respectively), and they fundamentally succeed.
Hmm. 2 hours 24 minutes. That’ll take me to almost 6am. That’s… not ideal. But now that I’ve started this re-watch, I know it’ll be my obsession until it’s done. Better push on…
Ugh, baddie rant as an opening scene. Boooring. It’s all about exposition, and we all know it.
But it gets forgiven, because there are over six main characters and they all get a chance to shine. Back in those innocent days, we thought no movie would ever be more impressively over-stuffed with heroes. Lolz.
Black Widow’s torture/interrogation scene is iconic, including this exchange:
Coulson: We need you to come in.
Black Widow: Are you kidding? I’m working!
Also iconic is the way she ‘requests’ help from The Hulk by first luring him out of the city and then lying that it’s “just you and me”. Soft voices, high tension.
*
There’s another iconic scene in Germany, when Loki forces a crowd to kneel and says,
“You were made to kneel.”
An elderly man gets up and says, “Not to men like you.”
Loki: “There are no men like me.”
“There are always men like you.”
That will never fail to thrill me.
The film uses bickering to quickly re-establish the characters of our six main heroes, and it works very well. There’s even some fan service in having heroes fight each other (plenty more of that to come, naturally). The bickering doesn’t just make us laugh and establish character at the same time. It’s also showing the negative effects of the mind stone. So that’s three in one. With a movie this packed, scenes have to do triple duty.
And it’s actually four in one, because it’s foreshadowing when Captain America says Stark “isn’t the one to make the sacrifice play”. Because he is, in this film and in others. For once, Captain America is wrong.
Speaking of fan service, this is the film that launched a million ships. It’s lovely how the science bros immediately connect (Banner and Stark), and the sexual (?) chemistry between Stark and Steve (aka Stony) is sizzling (the ‘hate each other then work well together in an emergency then grow grudging respect and then emotional closeness’ trope is SO COMMON in romance). Of course, in a few films’ time Captain America is also part of the three-way pairing known as “All Caps”: Captain America, Bucky Barnes, and Sam Wilson (aka The Falcon). Close male bonds are always beautiful, and they’re my favourite ships. My all-time favourite is Captain America and Bucky, aka Stucky, mostly because those two are so close and at the same time so sad. And/or All Caps. I really like Stony, too, but Tony and Pepper work really well so I wouldn’t break them up.
It’s 4:36am and this movie is so good that I’m genuinely enthralled even after a-l-l these hours.
Coulson dies (he gets better, but only for the S.H.I.E.L.D. TV series, and lots of flashbacks), and as a result The Avengers get their heads together and start working as a team.
Chitauri aliens are both iconic and world-changing; they are clearly alien, and Earth will never be the same. I love how they move.
The moment when the six Avengers stand together mid battle, is the ultimate iconic moment of this movie, and of Phase 1 of the MCU.
And then there’s three delicious Hulk moments:
When Hulk says, “That’s my secret Cap: I’m always angry”âand changes into the Hulk with perfect control*.
When Captain America assigns everyone jobs, and says, “Hulk. Smash!”
…and when the Hulk grabs Loki and bashes him on the ground like a rag doll. Then walks off saying, “Puny god.”
Post-credits scene 1: We glimpse Thanos for the first time. Very exciting at the time.
Post-credits scene 2: The main six sit together eating Shawarma. It’s a lovely coda.
Boy howdy gee that’s a lot of films. And I’m just getting started. But the truly amazing part is that so many of these films are really, really good.
*This is especially meaningful to me as someone with an anxiety disorder, because I’m always afraid. Every day, for absolutely no rational reason. So when something truly scary happens, I feel fantastic, because for once my fear level matches the actual threat level. As a result, I do really well with scary things (for up to three weeks, then I collapse). Banner appears to be an incredibly calm, affable guy. I also appear calm. It might be the 5:58am talking, but I’m pretty sure that makes me a superhero of some kind.
Reviews of films I haven’t seen
Here in Canberra, the ANU runs a brilliant film club. One of the cool things is that they release a book each semester filled with reviews. I helped them with reviews a little this year, but due to release dates there were two I had to – not to put too fine a point on it – make up. As is, perhaps, immediately obvious.
Gnomeo and Juliet
Okay. Try to stay calm. I know itâs hideously offensive that weâre now getting Shakespeareâs tragedies in animated comic form, but donât worry â itâs really not anything to do with âRomeo and Julietâ. Sure, the tale involves two cute kids from feuding families, but other than the names, this is a completely original film. Oh, and as youâve probably gathered from the posters, all the main characters are gnomes who only move when the humans arenât watching. Mr Shakespeare didnât come up with a great gimmick like that â moreâs the pity.
Itâs as funny as kidsâ movies need to be to please the parents; Juliet gets a lot more action (not THAT kind you sickos); and the animation is what youâd expect from Touchstone. Gnomes are just like humans in terms of facial expressions, which is guaranteed to make a better film than trying to make cars or other objects interesting.
The voice cast is what youâd want in any film, which is to say James McAvoy, Emily Blunt, Michael Caine, Jason Statham, Patrick Stewart and. . . Ozzy Osbourne (why not?) Elton John features in the sound track, with at least one original song. He and Lady Gaga sing a duet, too.
Come and see it for your kids, for the music, for the over-the-top animated action scenes, and for the laughs.
And for once, you donât know how itâll end.
I Am Number Four
The hero here knows heâs probably going to be killed, and he has to live with a reasonably uncool nickname â but it could have been the movie I Am Number Two which would be worse. So thatâs a relief.
Alex Pettyfer plays an alien, AKA our hero. His planet has been blown up by a bunch of tougher aliens, and only he and his eight co-survivors are left. Make that seven. No, six. No, five. Since the aliens are teenagers (like puberty wasnât bad enough by itself), they pretend to be ordinary humans going to high school (where, as you know, all the most imaginative super powers are conceived). Unfortunately, the bad aliens have already messily disposed of numbers One, Two (another reason being named after a euphemism is a bad idea), and Three. For some wacky reason, Number Four thinks perhaps his life is in danger. It is.
The movie is based on a young adult novel of the same name, written by Pittacus Lore. Itâs high-action, with cool alien super powers and a good-looking alien hero who runs around a lot. The visual and special effects are just as shiny and dark as one could hope for, and the baddies are properly bad.
If thatâs not enough for you to come and see it, I donât know what is.
“Salt”, “The Other Guys”, and “Despicable Me”
I watched three movies in two days over the weekend, so here’s my thoughts (for what they’re worth*):
“Salt”
Spy thriller starring Angelina Jolie
The plot was a little sillier than I expected, even in a spy thriller. But I was still able to enjoy the movie, which had more to do with action and character than anything else (the character wasn’t super deep, but she didn’t need to be any deeper than she was). I was genuinely stressed, and I enjoyed the movie. The action scenes and various devices/disguises were completely unrealistic – but that is what I look for in the genre (see Exhibit A: every James Bond ever – action scenes are meant to be unusual, not lifelike). Bonus points for having a woman who actually removes her impractical shoes before running/jumping/climbing. Tom Cruise was originally meant to play the title character, and then it was rewritten for Jolie. Every so often I imagined Tom Cruise in it, and I was much happier with Jolie. She’s just so much cooler.
By far the least plausible part was the background plot of hundreds of kids brainwashed into becoming Russian sleeper agents who lived as average Americans for years or decades. As my friend pointed out, a Russian sleeper cell has just been found in America. Hmm. I forgive the brainwashing, too, because of what happened in the movie. Sorry, I can’t say any more than that or you’ll have to kill me. 3.5 out of 5 stars.
Best line: Would you mind looking after my dog for a while (the hero is on the run and just escaped from the government by climbing out her window and along to the neighbour’s little girl – with her dog in her backpack)?
“The Other Guys”
Buddy cop comedy starring Mark Wahlberg and Will Ferrell.
The plot was completely rambling and stupid (although the stuff about financial scams in the credits was GREAT); the characters were ugly, charmless, and unfunny (which, to be fair, they were meant to be); and the effects were silly. The worst part was that it was sooooooo self-indulgent. Wahlburg and Ferrell clearly find each other hilarious, and so each scene just drags on and on as they wander past jokes and keep filming for the other two-thirds of the scene. A lot was improvised, and boy does it show. Rating: 0.5 out of 5. I didn’t pay for it, but I resent the time spent trapped in the hole that is this movie. The best part was that the Rock was in it – for two scenes.
Best line: “Aim for the bushes” (not, of course, said by either main character but by the two heroic cops who then jump off a twenty-storey building without any equipment whatsoever)
“Despicable Me”
Children’s comedy voiced by Steve Carell etc
This is about an evil genius who is getting outdone by younger (and infinitely more annoying) competition – so he decides to steal the moon, using a shrink ray. He adopts three extremely cute orphan girls in order to get into the (other) baddy’s fortress, and slowly finds he likes them. This was genuinely funny throughout, with exactly 2.5 sappy scenes (I was wary going in, and was pleasantly surprised). If someone told me it was produced by Pixar, I’d believe it. The humour was better suited to adults than the humour in “The Other Guys” – mostly because it wasn’t based on “Hey, look how unfunny we are! Funny, right?!?!” I was a little disturbed by how fat and ugly basically all the adult characters were drawn, but oh well. I left the movie happier than I went in. The characterisation is well done, and almsot all the character development is done with subtlety (with looks rather than long dull emotional conversations). The hundreds of mini-minions never stop being awesome. Rating: 4 out of 5 stars.
One of the best lines (many of the best are visual): I meant to close that. (As they test an anti-gravity gun and a minion drifts, meeping in disress, out of the open skylight.)
*This blog is, of course, free
Scott Pilgrim Versus the World
There are two possible reactions to this film:
1. Meh.
2. Rabid enthusiasm.
I am a nerd and all my friends are nerds and/or geeks. This film is for geeks, and it is only for geeks. I sat between CJ and my friend Ann (who is on the outer fringes of the geekhood realms of computer stuff, iphone stuff, and is well inside the geekhood of a handful of classic crime novelists).
I am mainly a fantasy geek and a writing-in-general geek. I can pass as a steampunk or medievalist geek. I get on well with music geeks (I can at least admire them) and computer geeks (there always seem to be a few around).
CJ is a video game geek, a graphic novel geek, a computer geek (his mildest area of geekhood – he’s competent rather than truly geeky – and he doesn’t actually love computers), a fantasy geek, an anime geek, and a little bit of a music geek. He plays bass.
Ann thought the film was a mix of brilliant and deadly dull. Her personal geekhood quotient: 40%
I thought the film was brilliant in all but one scene (he sings the girl a song – not very well. It’s not funny enough or musical enough to suit the rest of the film). A few bits were boring to me personally, but most of it was – like I said, brilliant. My personal geekhood quotient: 80%. Also, there are a lot of extremely funny lines coupled with perfect acting. At one stage, the main character is asked a question about “her” which he needs to dodge. In his head, a pointer swings between “who her?” and “I need to pee” and he blurts out, “I need to pee on her.”
CJ was flying high from the first frame, and he didn’t touch the ground until the next morning. His personal geekhood quotient: Freakin’ all of it.
Scott Pilgrim is a music geek, a video games geek, and definitely a graphic novel/surreal fantasy geek. If you get comics (ideally), video games, or fantasy in general (particularly on a metaphorical level – which is where it REALLY got me) you will get this film (I devour “Fables” and “Girl Genius” and any comic associated with Joss Whedon, but no others, and I always struggle a little bit with the genre’s rhythms, which is precisely my experience in this film).
This IS a brilliant film. It’s brilliant like durian* is brilliant – it’s difficult in a lot of ways, but those who love it and those who hate it both know there is nothing else in the world that is even similar to the experience of eating it.**
I recommend it for anyone who can hold their own with either graphic novel geeks, fantasy geeks, surrealist geeks, music geeks, or video game geeks. I fit only 1.5 of those areas, and I loved it.
*Also called “thorny fruit”. It smells so bad that some countries have made it illegal in some public places. It is so thorny that you need either the stalk or a bag of some kind to pick it up.
**Don’t eat Michael Cera. There are laws about that sort of thing.
Where the Wild Things Are
I love the book. Very much.
The movie was brilliantly acted by the child lead – he actually outshone the adults (human or otherwise) and was perfect in every frame. It was also visually beautiful, and the suits for the wild things were amazing and unique.
I hated this movie with a fiery passion. In fact, IÂ went all gooshy when my husband turned to me and said, “Let’s never ever watch that again.”
I know people who love the movie, and it’s certainly not like anything else ever made. But I wouldn’t show it to children. “Some scary scenes” just doesn’t describe it.
Apart from having almost no plot at all, this movie is incredibly disturbing. The basic plot is that a child is unhappy and goes on an imaginative journey, then decides that reality is okay after all.
Leaving aside the depressing reality of how legitimately lonely the child is (remember high school?), the imaginative adventure consists entirely of meeting with large creatures that all represent parts of the child’s very, VERY fractured psyche. One is simply ignored – all the time. Another is an emotionally manipulative mum-like figure who may leave at any time but can’t articulate why. Another gets its arm ripped off. Yet another is deeply depressed. Several mouth adult phrases about being considerate to others, which are incredibly creepy in that context. The one most like the child constantly erupts in inexplicable and destructive fits of rage.
The child attempts to make a functional family, and eventually realises that all they really want is someone new to eat.
Childhood is a frightening, lonely, unstable, angry time. This movie reminded me of that. I hope that someday I’ll be able to forget.
In other news, I wrote a post today on http://twittertales.wordpress.com about how to have a totally free wedding. And my program of daily awesomeness begins over there at twittertales tomorrow (after I post the complete story of “Dr Yes”, since it also ends tomorrow).
“Avatar” Review
It’s like how everyone else is saying: the plot ain’t new, and it ain’t much, and the film should probably be shorter – but it’s sooooo pretty you just don’t care.
Personally I’m not big on special effects. I really like good writing. So I went in with very low expectations. And it was so pretty I loved it. There were even some neat things done with the writing – good characterisation (not super subtle, but it was enough for me to care about those I was meant to care about), and I really liked the way several of the minor characters evolved during the film. The pace is a little slower than we’re used to from American films (not that it was actually slow), but it suited the film.
But mostly, it was SO pretty. The 3D effects made everything more real and more beautiful. I didn’t believe pretty things could keep me entertained for three hours, but it turns out they can. And I liked the acting and characterisation of the hero.
I honestly do recommend seeing it.
Happy Potter 6 review
Funny (even more than the rest). Pretty (the castle). Sad. Scary.
In that order.
I REALLY liked what they did with Malfoy. He became a 3D character for the first time.
The acting is a bit sketchy at times, but Daniel Radcliffe deserves his pay (which is saying a LOT).
Slightly too long – but not to the same extent as the book.
You know you’re gonna see it anyway, so just go.
Summing-up-most-of-the-movie quote:
“These girls are gonna kill me” -Ron.
United States of Tara: review
United States of Tara is a comedy drama about a family dealing with the fact that the mum (Tara) has multiple personality disorder (it has a completely different name now, but I just can’t remember it).
Yes, it’s a real illness. It just SEEMS made up.
In the first episode, two of Tara’s other personalities emerge – “T” who is incredibly skanky (and her daughter’s best friend) and “Buck” who is a redneck male and utterly selfish (or is he?)
All of Tara’s personalities are played by Toni Colette. Every bit of acting is brilliant from beginning to end (not just Toni – but it can’t be easy to play so many people who are all fully realised characters inhabiting one mind).
The first scene both impressed and scared me – Tara is making a video diary, and from the first second she looks like someone struggling with a mental illness (which makes me cringe because I am one). The show is incredibly tragic – can you imagine having such little control over your own actions? – but also utterly hilarious. The last two lines are:
Tara’s daughter: Buck’s left handed, even though none of the others are. Isn’t that strange?
Tara’s husband: Yep. That is the one strange thing.
——————————–
The two things that blew me away about this show:
-Tara’s multiple personalities make her own character deeper. The weirder they are, the more we relate to the “real” Tara.
-The family dpes actually function – they’re used to all the Taras, and they love all of them (for different reasons – they even have a special boys’ activity for when Buck shows up). So there’s an infusion of hope that lifts this above almost every comedy (especially those set in families) ever written.
It’s on ABC at 9:30 (definitely not for kids) on Wednesdays.
Watch it if you like laughter, hope, or gaining an understanding of mental illness. It is VERY funny – the funniest show on TV, I think.
PS I reported on today’s classroom adventure in my other blog, twittertales.wordpress.com













