Facebook and regional cultures

June 24, 2012 at 8:03 pm (Articles by others)

[I’m posting this somewhat early due to the fact that my ceiling is being replaced on real-Monday. Just pretend I posted it then, okay?]

 

Here is an article about facebook photos from different parts of the world. Can you guess the results before you read it?

I’m sure there’s an article on the cultural differences in cat photos, but I don’t know where it is. In the meantime, here’s a cat in a box.

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Wardrobe Malfunction, circa 1922 (safe for work)

June 24, 2012 at 7:42 am (Steampunk)

These women are being arrested for being out and about in (horrors) their bathing suits.

 

Source

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Self-Publishing

June 23, 2012 at 8:12 am (Articles by other bloggers, Writing Advice, Writing Ranting)

I’m toying with the idea of self-publishing one of my books online, and I’d welcome your thoughts. It needs to be one that is good, but has been rejected by at least six publishers (sadly, that still gives me a choice of book). Realistically, self-publishing is just a new kind of slushpile, with an even smaller statistical chance of success. Still, I may as well try something new – it’s not like I don’t have an online presence!

This is why it will cost readers more than ninety-nine cents.

 

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Artemis Fowl and the Lost Colony

June 22, 2012 at 7:01 am (Reviews)

Oddly enough, I haven’t written a review of the first Artemis Fowl book – it’s excellent, believe me. So here’s a review of the second, and there are more Eoin Colfer reviews on the way.

The rest of this review is at Comfy Chair, where I get paid for it.

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Girl Time

June 21, 2012 at 2:10 pm (Daily Awesomeness)

Yesterday, Louisette saw her cousin for the first time in many months.

 

 

My sister and her family have just moved back to Canberra from Perth. There isn’t much that is more awesome than that.

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She’s five months old

June 20, 2012 at 8:12 am (Project 365: A picture a day for a year)

We’re solidly on solids now, and it’s time for another month of photos. All the rest are linked to here.

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The madding crowd

June 19, 2012 at 7:24 am (Daily Awesomeness)

Last Friday a friend and I went to a Silk Road exhibit at the National Museum. The exhibit itself consisted of some kind of museum-y thing (we didn’t go in), market-style stalls, and. . . . well, that was pretty much it. My friend and I walked around with expressions of shock and awe, however, because there were PEOPLE. SO MANY PEOPLE. Having lived in Canberra for a good many years, this freaked us right out and was far more interesting than anything else.

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Dinner Time

June 18, 2012 at 8:02 am (Food)

T-time minus two minutes.

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Myths of steam

June 17, 2012 at 7:01 pm (Steampunk)

This is what the internet is for:

 

Also, squeezing into this entry by cool factor & ingenuity rather than pure steampunk, this guy (thank you to blog reader Jolyon for this!):

In answer to the inevitable question: Yes, the bike totally works.

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Making money as a writer

June 16, 2012 at 12:10 pm (Advanced/Publication, Writing Advice, Writing Ranting)

Someone on a writing forum said they “need” to finish their novel, both because the story won’t let them go and because they need the money.

This is some of what I said, which clearly not enough people are saying:

First rule of writing is never ever write for money. Here’s some reasons, as briefly and coldly stated as possible:

1. Publishers lose money on most of the books they produce (it’s the few bestsellers that keep them from going bankrupt). The market is just not big enough (think, for example, of how many books YOU have bought in the last year – and as a writer you’re a much more avid reader than 99% of the population). This means the advance is usually all the author gets. Which means (a) small publisher = small advance, so that won’t work for you (nor with print on demand or self-publishing, which despite the much-repeated success stories are MUCH less likely to get any money at all), and (b) your total profit for your book will be between $3000 and $10,000. Keep in mind that most writers tend to average a book a year IF they write full time.

2. You are not special. Major publishers receive literally hundreds of manuscripts each week. I recently went to a conference where there was a higher-up from a major publishing house (I don’t want to name them, but I guarantee you’d recognise the name). She mentioned that they’d just had a five year period where they did not publish a single book from the slush pile. She was excited because they’d changed their slushpile system and had published three whole slushpile books in two years. She was super pleased about that. . . . which works out to a one in 10,000 chance of publication….in a good year.

3. I personally have done okay as a writer. I’ve won or placed in more contests than I can remember without referring to notes (including three or four longer-manuscript contests). Five of my books have been recommended for publication by five different manuscript assessors. Publishers have requested the full manuscript after seeing sample chapters (this happens to about 5% of manuscripts in the slush pile – the rest just aren’t very good) more than twenty times.

Altogether I’ve written thirteen novels over thirteen years. At least one of them has been to an acquisitions meeting at a world famous publisher (ie when the head publishers sit down with books that deserve publication, and decide which ones to publish). Not a single one is published.

So don’t write for money. Third world sweatshops pay better – literally.

You will probably never be published.
If you are, you probably won’t get a career (a publisher probably won’t make money on you, therefore will not publish you again – even though it’s a series).
If you are extremely successful, you’ll probably earn around $5000/year.

I’ve probably given you a pretty bad day – but wouldn’t you rather know now than after thirteen years of trying?

 

 

By all means, write. But write for love.

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