Zip Zip
The kids are having a sleepover tonight, so the house is unusually quiet.
Zipper is very concerned. She still follows us if we go to the bathroom, so the notion of spending a whole night without two members of her litter is Just Wrong.
Here is a nice pic of her, and a not-that-nice pic of my kids. PRIORITIES!

In other news, I’ve cut down my chocolate intake—I’ve regained most of the weight I lost earlier this year, so it must be done—and as a result I believe all life is pain, all humans are hateful, and every breath I take is an imposition on both myself and the universe.
This is why I don’t often attempt to lose weight.
In other other news, I am reading the first Harry Potter book aloud to Louisette. It’s an extraordinary experience. My own writing has been going very poorly lately, and it helps to be reminded of what good fiction feels like from the other side.
99 cents
IRON LIGHTS is on Amazon now, which probably means it’s almost everywhere! So to celebrate, Book 1: HEART OF BRASS is having a 99c promo.
I’m posting it here for those of you on an RSS feed.
https://www.amazon.com.au/s/ref=nb_sb_noss_2?url=search-alias%3Daps&field-keywords=felicity+banks
And here’s Zipper, but sideways.

More Important Matters
So IRON LIGHTS is out (through my store and Dymocks Belconnen ONLY at the moment—it’ll be available everywhere in October, including digitally), MURDER IN THE MAIL is exhibiting at The Front cafe gallery… and all you really want to know is, “HOW IS THE KITTEN THO?”

She is good.
As you can see, she prefers her collar half untied (and will unhook it every time I try to neaten it) but it doesn’t freak her out any more. I think she enjoys chewing on it when the rest of us aren’t sufficiently entertaining.
Today is day 15 of her life with us. It feels much longer.
Chris and I quite often wake at 6am or so to hear, “Noooo, nooo, Zipper, nooo, ouch!” in the morning as the kids wake up before us and don’t always remember our new golden rule (“when Zipper is playful on the couch, you go on the floor, and when Zipper is playful on the floor you go on the couch”) but I don’t think she’s actually drawn blood on the kids yet. Of course Chris and I have some (very minor) scratches because we do things like pick her up.

I’ve begun altering her food from the RSPCA’s preferred brand to a more ordinary kitten-friendly food. The change disturbed her yesterday but she’s definitely eating it so that should be fine.
My sister has two young daughters (6 and 7.5) who visited us yesterday to meet Zipper and have a play. They’re not nearly as familiar with cats as my two, but Zipper was clearly quite interested in them (despite her obvious nerves) and if they ever sat down for more than ten seconds I bet she’d hop on their lap/s.

It’s very exciting having a cat that’s NOT a long-haired type, because she can actually sit on the couch without leaving it covered in fur. This is a new and wondrous thing—and she certainly looks good on green.

She still sleeps a lot, usually sitting on one of our dining chairs (hidden by the tablecloth) or in a lap, or at/over my feet. She still follows me to the bathroom and calmly waits for me before following me back into the living room.
It’s rare for her to meow these days, so hopefully she’ll just grow out of it. But keep the habit of saying, “Prrrm?” by way of greeting or query.

She still plays a lot, and has begun enjoying different toys—the balls we bought for her, crumpled paper, my doona, Louisette’s soft toys. She still doesn’t really ‘get’ the whole treat thing (she tends to sniff at a treat, bat it around a bit, and then walk off).
And she’s still utterly perfect.

Art for Schools
The full list of MURDER IN THE MAIL: A BLOODY BIRTHDAY contributors is here, but this article is specifically about the art from the exhibition currently showing at The Front cafe & gallery, with teachers and school principals in mind. I have chosen the most school-appropriate image from each artist to recommend (and have neglected Annabelle Lee because her books are too naughty, and I know she’ll forgive me).
These pictures are especially well suited to English, Art, History, and Psychology departments.
YES, Felicity Banks (yours truly; curator, head writer, and novelist) is available for discounted school author visits and the MURDER IN THE MAIL: A BLOODY BIRTHDAY story can be purchased here. It is suitable for 12+.
For schools/libraries, some prices are negotiable if the art is not sold during the exhibition period (especially if you buy more than one picture).
Michelle Bedford (Kija/Jaru people)
Full Moon Beaming
original painting
55 x 65 cm
$600 framed
Why buy it?
Because every school should display some original Indigenous Australian art. Michelle is a Canberra artist and poet who is active in the local community.
This is a great piece celebrating nature and it’s best hung next to a window so the specks of shining paint in the moon can be brought out.

Shauna O’Meara
Naomi’s Room
fromMurder in the Mail: A Bloody Birthday
limited edition print
42 x 30 cm
$250 framed
Why buy it?
This is an incredibly detailed piece that works best in the context of the MURDER IN THE MAIL: A BLOODY BIRTHDAY story. I can include a folder/display version of the story so students can explore interactive storytelling.
There are five clues in the picture, some of which require specialist knowledge (such as written Japanese) as well as a large number of ‘Easter Eggs’ (such as books by several authors who each wrote a character in the story).
Shauna O’Meara is an award-winning Canberra artist and writer.

Jane Virgo
Cattitude
fromMurder in the Mail: A Bloody Birthday
“There’s something you don’t know about me.”
original painting
42 x 60 cm
$500 framed
Why buy it?
This is a painting of Canberra writer Cat Sheely by Canberra writer and painter Jane Virgo.

Adam Lee
National Museum
fromMurder in the Mail: A Bloody Birthday
“I kept her secret because it was hers.”
photograph
60 x 42 cm
$350framed
Why buy it?
This is a stark and elegant photograph of a Canberra icon by a Canberra photographer.

Tash Turgoose
Hands
fromMurder in the Mail: A Bloody Birthday
“When I draw, the world disappears.”
limited edition print
30 x 42 cm
$250framed
Why buy it?
This minimalist picture shows how a skilled artist can use detail to render a simple image powerful—and that it is possible to draw hands well!

Keely Van Order
Rorschach
fromMurder in the Mail: A Bloody Birthday
“It’s over. And also beginning.”
limited edition print
42 x 60 cm
$350framed
Why buy it?
This complicated image has a million different interpretations. Is it wings? Faces? A blot of ink? A person could see a different image every day and never run out of impressions.

Addendum: A Bloody Fantastic Cake
Here’s Cassie’s own pic of the cake she made, next to Shauna’s picture. Artists are so amazing! They never cease to impress and delight me.

It tasted good too.
PS The launch for IRON LIGHTS was pretty cool too. Cat Sparks did the photos and I already have them. They’re so incredible I’m going to have to write a seriously impressive blog entry to go with them.
Here’s a pic to tide y’all over until it’s ready:

Hilariously, the quote behind me is, “I’ve always loved politics. . .”
Murder in the Mail Art Exhibition Opening
Today is Saturday, August 25, 2018.
Today MURDER IN THE MAIL: A BLOODY BIRTHDAY was officially launched with the beginning of a week-long art installation at The Front cafe & gallery (1 Wattle St, Lyneham, Canberra).
It featured all eight pieces of story art (you can see them here), plus several bonus pieces (three Octopus pics/puns from Annabelle Lee, who designed both the MURDER and MAGIC logos; a Ditmar Award-winning piece by Shauna O’Meara; a second portrait by Jane Virgo—of the famous writer Isobel Carmody; and one sneak preview of the MAGIC IN THE MAIL exhibition which will run at The Front on precisely this weekend in 2019).
And cake, by Cassie’s Custom Creations, based on the cake drawing by Shauna.
All the Canberra MURDER artists attended—Annabelle Lee, Adam Lee (yes, they’re husband and wife as well as being two extremely different visual artists), Jane Virgo, and Shauna O’Meara. (Tash Turgoose lives in Brisbane and Keely Van Order lives in Melbourne.)
I very much enjoyed having several of “my” artists in the same room, and although all the artists are scattered about Australia and the world, I was able to gather all but one of their books (Phil Hore’s book is soon to be published by Odyssey Books) which was awfully enjoyable for me too.

You can see them all rather more clearly here, of course. It’s rather a respectable bookshelf—and all Odyssey and Obscura authors, naturally.
But of course you want to see the cake, don’t you?
Well… you can’t.
The above (and below) photos were taken on my phone just before I packed up. My good friend (and printer) Jason Tankard was the official photographer, and he took about a billion photos, especially of the cake… so I knew it would be most thoroughly documented… and didn’t take a single pic of it myself.
Here’s the art by Shauna O’Meara, if that’s any comfort:

And here are some lollies. That’s Lindt on the table, and the mini trifle dish has Kool Mints, dark chocolate Maltesers, and Jaffas.

But of course it’s the art you really want to see. This is a terrible picture, but it’s better than nothing:

The art will stay at The Front for at least a week. If you like coffee, art, or cafes in general, go and check it out!
The food is rather good too (I was careful to test it, because I’m a professional in such matters).

That’s ginger and sweet potato hotcakes on the left, and “AVOCADO” on the right (with sourdough bread, beetroot hummus, etc).
The crucial questions:
Did I sell billions of dollars’ worth of stories, books, and art?
Just hundreds.
Did I have fun?
So, so much yes.
Was the cake good?
Yup.
UPDATED: Here is the cake!
I realised alarmingly recently that everything I know about running an art installation I learned from Ocean’s Eight. So there were certainly some bumps along the road (to this day I don’t know what percentage the cafe gets from my sales… somewhere in the vast gulf between 20% and 60%) but the art is in a great public space, MURDER IN THE MAIL: A BLOODY BIRTHDAY is on sale there, and it was an incredible day.
Tune in tomorrow for the thrilling debrief of the Antipodean Queen 3: Iron Lights book launch at Kings Hall, Old Parliament House (aka the Museum of Australian Democracy) 2:45-3:15pm.
Or, you know, just come 🙂
Bloody Cake!
So I panicked and ordered a custom-made cake for the MURDER IN THE MAIL: A BLOODY BIRTHDAY opening/launch this Saturday 3:30-5pm at The Front.
Cassie of Cassie’s Custom Creations is the amazing lady whose response to “Canihaveacustom3tiercakebysatudayohplease” was, “YES!”
And this is what she’s working off—the incredibly intricate pic by Shauna O’Meara:

I can’t wait to see it! And also eat it!







