Dogs, Goths, Kilts, Pirates, and Octopuses

October 22, 2018 at 10:43 pm (Daily Awesomeness, Steampunk)

Last weekend was the weekend of the annual Goulburn Waterworks Steampunk & Victoriana Fair. It’s always an absolute blast. The standard of garb at Goulburn is always amazing: corsets, top hats, pocket watches, waistcoats, bustles, crinolines, and epic boots galore!

I thought I’d do a super quick blog on some of the side effects of steampunk: some of the grand traditions that are steampunk due to pure coolness factor rather than any rational connections.

Goths of course.

Okay, that connection is obvious. Lace parasols and corsets for both men and women? Yes please! One of the many definitions of steampunk is that it’s what happened when goths discovered brown.

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(I’m sorry I didn’t turn that pic around the right way. I’m VERY tired. Not only was the Goulburn Steampunk Fair two days long this year—yay!—but I also just completed a 3-day speed game-writing jam. Over the same weekend!)

I believe I mentioned dogs. There’s a dog in my Iron Lights trailer (from the Goulburn Fair last year, in fact*) and there were loads of dogs (many in costume) this year too.

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Kilts and military attire are both well represented at such events (this year there were real cannons firing across the water, too!)

 

So if you like a man in uniform and/or admiring a man’s legs (or the unpredictable thrills of seeing men in kilts on a very windy day) then you should hang out with steampunks.

Especially if you like them sideways.

 

Ditto pirates and octopuses.

And reimagined superheroes/princesses.  I saw a lot of amazing steampunk Iron Men a few years ago. Lately lots of steampunk Wonder Women, and some really excellent steampunk Belles (especially at Supanova events).

My kids dressed as a unicorn rainbow princess (who then had her face painted as a kitten) and Batman (painted as a scary monster). As you can perhaps tell, my children are at the age when they’re very strong on external expressions of gender identity.

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Steampunks like cats too. Because steampunks are cool. So here’s a pic of Zipper I took today. May it please you.

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GUI ChoiceScript?

October 16, 2018 at 10:35 am (Daily Awesomeness, Interactive Fiction Tutorials)

I just found out that various people are working on making ChoiceScript easier to learn and use.

I… probably won’t use these tools because I’ve grown comfortable with using CS directly and don’t want to mess with that (yes, I am old and crotchety. Shut up).

Here‘s the link to much usefulness!

Here’s Zipper, getting better at venturing outside (but still terrified by birds).

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IRON LIGHTS review

September 17, 2018 at 5:04 pm (Advanced/Publication, Articles by others)

My fellow Odyssey Books author, Carmel Bendon, reviewed IRON LIGHTS for me on Goodreads. Here’s what she said:

Iron Lights is the third book in Felicity Banks’ The Antipodean Queen trilogy and the next in the adventures of the series’ heroine, Emmeline Muchamore. Iron Lights, however, stands alone as a cohesive read and there is sufficient reference to key elements of the earlier works – mainly in terms of characters common to all three books – to orientate readers who have not read the first two books.

Emmeline is a very appealing lead character, full of energy, optimism and conviction, and totally human in her devotion to her sweetheart, Matilda Newry, and an array of disparate and revolutionary friends, and all this powered by her amazing steam-fired heart of brass. When Emmeline is called into action by the quicksilver-generated vision of the impending fiery and brutal destruction of Melbourne and its inhabitants by an invading [mechanised] army, she responds with courage and determination, gathering her own extraordinary army of humans and machines.

Banks’ imagination has filled the story with mechanical wonders – activated metals with magical qualities and inventions that extend far beyond the usual machines to include such marvels as (deadly) Australian spiders with activated metal inserts that enable them to carry out their mistress’s bidding.

Banks’ evocation, and then subversion and manipulation, of small details of Australian colonial history is clever and got me checking (historical) names and details on more than one occasion. The story’s action is fast-paced & drives the plot forward with a precision akin to the machinery it embraces. At times the pace was almost too fast and I found it hard to keep up with Emmeline’s quickly-made plans and their even quicker implementation that saw her dashing across (and above) grand exhibitions and battlefields, and building and overseeing an extraordinary laboratory in an even more remarkable fortress but, in some ways, the rush added to the fun. In all, Iron Lights is well-written, imaginative, energetic, and a very enjoyable read.

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Zip Zip

September 15, 2018 at 9:40 pm (Cat pics)

The kids are having a sleepover tonight, so the house is unusually quiet.

Zipper is very concerned. She still follows us if we go to the bathroom, so the notion of spending a whole night without two members of her litter is Just Wrong.

Here is a nice pic of her, and a not-that-nice pic of my kids. PRIORITIES!

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In other news, I’ve cut down my chocolate intake—I’ve regained most of the weight I lost earlier this year, so it must be done—and as a result I believe all life is pain, all humans are hateful, and every breath I take is an imposition on both myself and the universe.

This is why I don’t often attempt to lose weight.

In other other news, I am reading the first Harry Potter book aloud to Louisette. It’s an extraordinary experience. My own writing has been going very poorly lately, and it helps to be reminded of what good fiction feels like from the other side.

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99 cents

September 1, 2018 at 9:30 am (Cat pics, My Novels, Steampunk)

IRON LIGHTS is on Amazon now, which probably means it’s almost everywhere! So to celebrate, Book 1: HEART OF BRASS is having a 99c promo.

I’m posting it here for those of you on an RSS feed.

https://www.amazon.com.au/s/ref=nb_sb_noss_2?url=search-alias%3Daps&field-keywords=felicity+banks

And here’s Zipper, but sideways.

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More Important Matters

August 29, 2018 at 2:50 pm (Cat pics)

So IRON LIGHTS is out (through my store and Dymocks Belconnen ONLY at the moment—it’ll be available everywhere in October, including digitally), MURDER IN THE MAIL is exhibiting at The Front cafe gallery… and all you really want to know is, “HOW IS THE KITTEN THO?”

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She is good.

As you can see, she prefers her collar half untied (and will unhook it every time I try to neaten it) but it doesn’t freak her out any more. I think she enjoys chewing on it when the rest of us aren’t sufficiently entertaining.

Today is day 15 of her life with us. It feels much longer.

Chris and I quite often wake at 6am or so to hear, “Noooo, nooo, Zipper, nooo, ouch!” in the morning as the kids wake up before us and don’t always remember our new golden rule (“when Zipper is playful on the couch, you go on the floor, and when Zipper is playful on the floor you go on the couch”) but I don’t think she’s actually drawn blood on the kids yet. Of course Chris and I have some (very minor) scratches because we do things like pick her up.

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I’ve begun altering her food from the RSPCA’s preferred brand to a more ordinary kitten-friendly food. The change disturbed her yesterday but she’s definitely eating it so that should be fine.

My sister has two young daughters (6 and 7.5) who visited us yesterday to meet Zipper and have a play. They’re not nearly as familiar with cats as my two, but Zipper was clearly quite interested in them (despite her obvious nerves) and if they ever sat down for more than ten seconds I bet she’d hop on their lap/s.

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It’s very exciting having a cat that’s NOT a long-haired type, because she can actually sit on the couch without leaving it covered in fur. This is a new and wondrous thing—and she certainly looks good on green.

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She still sleeps a lot, usually sitting on one of our dining chairs (hidden by the tablecloth) or in a lap, or at/over my feet. She still follows me to the bathroom and calmly waits for me before following me back into the living room.

It’s rare for her to meow these days, so hopefully she’ll just grow out of it. But keep the habit of saying, “Prrrm?” by way of greeting or query.

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She still plays a lot, and has begun enjoying different toys—the balls we bought for her, crumpled paper, my doona, Louisette’s soft toys. She still doesn’t really ‘get’ the whole treat thing (she tends to sniff at a treat, bat it around a bit, and then walk off).

And she’s still utterly perfect.

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Art for Schools

August 28, 2018 at 12:10 pm (I get paid for this, Murder in the Mail)

The full list of MURDER IN THE MAIL: A BLOODY BIRTHDAY contributors is here, but this article is specifically about the art from the exhibition currently showing at The Front cafe & gallery, with teachers and school principals in mind. I have chosen the most school-appropriate image from each artist to recommend (and have neglected Annabelle Lee because her books are too naughty, and I know she’ll forgive me).

These pictures are especially well suited to English, Art, History, and Psychology departments.

YES, Felicity Banks (yours truly; curator, head writer, and novelist) is available for discounted school author visits and the MURDER IN THE MAIL: A BLOODY BIRTHDAY story can be purchased here. It is suitable for 12+.

For schools/libraries, some prices are negotiable if the art is not sold during the exhibition period (especially if you buy more than one picture).

Michelle Bedford (Kija/Jaru people)

Full Moon Beaming

original painting

55 x 65 cm

$600 framed

Why buy it?

Because every school should display some original Indigenous Australian art. Michelle is a Canberra artist and poet who is active in the local community.

This is a great piece celebrating nature and it’s best hung next to a window so the specks of shining paint in the moon can be brought out.

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Shauna O’Meara

 Naomi’s Room

fromMurder in the Mail: A Bloody Birthday

limited edition print

42 x 30 cm

$250 framed

Why buy it?

This is an incredibly detailed piece that works best in the context of the MURDER IN THE MAIL: A BLOODY BIRTHDAY story. I can include a folder/display version of the story so students can explore interactive storytelling.

There are five clues in the picture, some of which require specialist knowledge (such as written Japanese) as well as a large number of ‘Easter Eggs’ (such as books by several authors who each wrote a character in the story).

Shauna O’Meara is an award-winning Canberra artist and writer.

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Jane Virgo

Cattitude

fromMurder in the Mail: A Bloody Birthday

“There’s something you don’t know about me.”

original painting

42 x 60 cm

$500 framed

Why buy it?

This is a painting of Canberra writer Cat Sheely by Canberra writer and painter Jane Virgo.

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 Adam Lee

National Museum

fromMurder in the Mail: A Bloody Birthday

“I kept her secret because it was hers.”

 photograph

60 x 42 cm

$350framed

Why buy it?

This is a stark and elegant photograph of a Canberra icon by a Canberra photographer.

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Tash Turgoose

Hands

fromMurder in the Mail: A Bloody Birthday

“When I draw, the world disappears.”

limited edition print

30 x 42 cm

$250framed

Why buy it?

This minimalist picture shows how a skilled artist can use detail to render a simple image powerful—and that it is possible to draw hands well!

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Keely Van Order

Rorschach

fromMurder in the Mail: A Bloody Birthday

“It’s over. And also beginning.”

limited edition print

42 x 60 cm

$350framed

Why buy it?

This complicated image has a million different interpretations. Is it wings? Faces? A blot of ink? A person could see a different image every day and never run out of impressions.

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“Iron Lights” Book Launch

August 28, 2018 at 10:59 am (Advanced/Publication, My Novels, Steampunk, Steampunk Australia Stories)

Book launches are like holidays*: You look forward to them like crazy, and then when they’re over you’re deeply relieved. Win-win?

The first and third books of my steampunk trilogy were launched at the Canberra Writers Festival (2016 & 2018; the middle book was launched at Conflux 2017).

In 2016 the venue was the National Library of Australia, which was very cool!

This year the venue was Kings Hall in Old Parliament House (aka the Museum of Australian Democracy). It is, technically, a hallway between the senate and the hall of representatives. It’s a very nice hallway.

The pic on the left was taken by a good friend of mine. It’s King George in his Order of the Garter outfit. I’ve never wanted to give ‘best steampunk costume’ to a statue before.

Here’s my friend’s son out the front:

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And one of the chambers, which I was entirely blasé about beforehand, but found very impressive when I actually walked in. The whole museum is brilliant.

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The rest of the pics in this blog entry were taken by the brilliant writer and photographer Cat Sparks.

The selfies I took were blurry, but these photos are great. As is this:

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This picture is an absolute classic. TJ was in a stroppy mood all day and his face and posture is so him I adore it. And I like the way my skirt looks, too.

I brought an adorable waistcoat for him, and offered several bribes for him to wear it—all to no avail. Oh well.

The mischief continued throughout the day, although between pouts TJ was not-so-secretly having a grand time. And Cat Sparks caught it all.

But this is my favourite TJ sequence (with my friend’s kid—Louisette was deeply missed but TJ adores him):

 

There were events in the rooms to either side, so foot traffic had a very dramatic ebb and flow as sessions started and ended. I gave TJ a balloon to play with, and many fond looks were cast his way by the passing crowds. Then the balloon popped.

Kings Hall has a highly polished floor and very little furniture. It echoes, amplifying sounds in an incredibly dramatic manner.

The balloon popped… like a gunshot.

The room paused, subtly, as everyone there (and in rooms beyond the hall) thought, “That wasn’t a gunshot. . . was it?”

I called out, “It was a balloon!” so nobody properly freaked out, but even so a couple of security types came and checked that yes, it was harmless.

So that certainly livened things up. I imagine that if a balloon had popped in the foyer across the road (that is, in the current Parliament House, where Barnaby Joyce was speaking) then the response might have been even more exciting.

Moving on.

Dymocks Belconnen supplied all the books for the festival, and did a great job organising everything at their end. (They now have IRON LIGHTS in stock—signed—by the way.)

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Here’s the crowd desperately trying to restrain their ecstasy at the very presence of the famous authoress Felicity Banks.

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Here’s a compilation of volunteers and audience, most of whom are wonderful friends of mine:

 

And here’s Katie, aka the writer KJ Taylor, another Odyssey author who assisted me in editing Iron Lights and then volunteered to introduce me.

You can actually see from the pics why I like her (and not just coz she’s a good editor, a flattering reader, and she bought me flowers).

I did the typical launch thing of blabbing briefly, and then doing a reading. I tend to read opening chapters so the text can explain itself, but I felt there was a bit of exposition and fourth-wall-cracking in the first few pages so I was planning to skip some bits. But then I did my practice reading**. My launch took place after a week of transparently selfish machinations among the Liberal party (turfing out yet another Prime Minister), while also forcing moderates to face the horrifying spectre of the awful Dutton and/or Scott Morrison and/or Tony Abbott (three of the most racist politicians of our time) gaining in power (we now have ScoMo as PM, who is the best of the three… which is not saying much). And it was all too appropriate to read every bit my opening chapter, especially standing in Old Parliament House. Things like. . .

‘I can hardly give your precious police force credit for catching me, since I appeared as expected at the door of Parliament, along with tens of thousands of signatures on the grand petition for women’s suffrage.’ I suppressed a shiver, remembering how frightened I was that day. ‘And what is more, that impressive battalion of police utterly failed to stop me’—I waved generally at myself, indicating my small stature and misbehaving red hair—’giving said petition to the relevant gentleman… which led directly to universal adult suffrage in this great colony.’

Dry clenched his teeth in a manner I found highly amusing.

‘In fact, if it wasn’t for sweet little Emmeline Muchamore getting shot,’ I said, ‘my own dear Matilda might not have been included in the victory for women’s suffrage.’

Dry wasn’t the only man to hate the original residents of Australia. I wondered what I would have done if the parliamentarians had spent longer thinking about who they wished to exclude from political rights, and was glad I didn’t have to live in that world.

and. . .

In a darker world, men like Dry would have made sure natives could never have a true political voice. Not as long as white men lived, or as long as their children and their children’s children readily took on the burden of hatred.

If ever my own book was going to make me weep, that was the moment.

—–

Back when PM Kevid Rudd finally apologised to the Stolen Generation, Peter Dutton walked out of the chamber, visibly showing his loathing for a simple apology.

Is there any more damning indictment on the man’s character?

Unfortunately yes. There is his treatment of asylum seekers. But I digress.

 

I said my bit, signed my books, lurked about the place in case the literary- and politics-loving crowd would like a bit of steampunk, and then went home.

The pic on the left above has a quote in the background that begins, “I’ve always loved politics”. It’s part of an exhibition celebrating female politicians.

More than one person has pointed out that Julie Bishop was virtually ignored by her own part during the leadership chaos last week.

What a time to release a (slightly) historical novel. We have come so far, and yet there is so far to go for Australia to be a decent and fair country.

I hope that my over-optimistic, magical, cheerful books can show a little of what Australia could be.

And I’m so glad I write fiction.

*when you have children and/or disabilities.

** on the way to the launch, naturally.

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Me, me, me!

August 26, 2018 at 10:40 pm (Advanced/Publication, Daily Awesomeness, My Novels, Steampunk Australia Stories)

The brilliant writer and photographer Cat Sparks was kind enough to photograph the IRON LIGHTS launch at Old Parliament House today. If you’ve heard her name linked to the Canberra Writers Festival before, it’s because she was on some of the panels.

There are so many brilliant photos that I’ve decided to save this entry for pics that are specifically of me. Which is, not surprisingly, a lot. I suddenly have a million options for my next Author Photo.

The lady in the top hat is my friend, another Odyssey writer and also an editor for Iron Lights, KJ Taylor.

Tragically, Louisette was absent due to having a birthday party today. So no Sparksian pics of her.

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Addendum: A Bloody Fantastic Cake

August 26, 2018 at 8:08 pm (Food, Murder in the Mail)

Here’s Cassie’s own pic of the cake she made, next to Shauna’s picture. Artists are so amazing! They never cease to impress and delight me.

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It tasted good too.

 

PS The launch for IRON LIGHTS was pretty cool too. Cat Sparks did the photos and I already have them. They’re so incredible I’m going to have to write a seriously impressive blog entry to go with them.

Here’s a pic to tide y’all over until it’s ready:

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Hilariously, the quote behind me is, “I’ve always loved politics. . .”

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