Dogs, Goths, Kilts, Pirates, and Octopuses
Last weekend was the weekend of the annual Goulburn Waterworks Steampunk & Victoriana Fair. It’s always an absolute blast. The standard of garb at Goulburn is always amazing: corsets, top hats, pocket watches, waistcoats, bustles, crinolines, and epic boots galore!
I thought I’d do a super quick blog on some of the side effects of steampunk: some of the grand traditions that are steampunk due to pure coolness factor rather than any rational connections.
Goths of course.
Okay, that connection is obvious. Lace parasols and corsets for both men and women? Yes please! One of the many definitions of steampunk is that it’s what happened when goths discovered brown.

(I’m sorry I didn’t turn that pic around the right way. I’m VERY tired. Not only was the Goulburn Steampunk Fair two days long this year—yay!—but I also just completed a 3-day speed game-writing jam. Over the same weekend!)
I believe I mentioned dogs. There’s a dog in my Iron Lights trailer (from the Goulburn Fair last year, in fact*) and there were loads of dogs (many in costume) this year too.

Kilts and military attire are both well represented at such events (this year there were real cannons firing across the water, too!)
So if you like a man in uniform and/or admiring a man’s legs (or the unpredictable thrills of seeing men in kilts on a very windy day) then you should hang out with steampunks.
Especially if you like them sideways.
Ditto pirates and octopuses.
And reimagined superheroes/princesses. I saw a lot of amazing steampunk Iron Men a few years ago. Lately lots of steampunk Wonder Women, and some really excellent steampunk Belles (especially at Supanova events).
My kids dressed as a unicorn rainbow princess (who then had her face painted as a kitten) and Batman (painted as a scary monster). As you can perhaps tell, my children are at the age when they’re very strong on external expressions of gender identity.

Steampunks like cats too. Because steampunks are cool. So here’s a pic of Zipper I took today. May it please you.

GUI ChoiceScript?
I just found out that various people are working on making ChoiceScript easier to learn and use.
I… probably won’t use these tools because I’ve grown comfortable with using CS directly and don’t want to mess with that (yes, I am old and crotchety. Shut up).
Here‘s the link to much usefulness!
Here’s Zipper, getting better at venturing outside (but still terrified by birds).
IRON LIGHTS review
My fellow Odyssey Books author, Carmel Bendon, reviewed IRON LIGHTS for me on Goodreads. Here’s what she said:
Iron Lights is the third book in Felicity Banks’ The Antipodean Queen trilogy and the next in the adventures of the series’ heroine, Emmeline Muchamore. Iron Lights, however, stands alone as a cohesive read and there is sufficient reference to key elements of the earlier works – mainly in terms of characters common to all three books – to orientate readers who have not read the first two books.
Emmeline is a very appealing lead character, full of energy, optimism and conviction, and totally human in her devotion to her sweetheart, Matilda Newry, and an array of disparate and revolutionary friends, and all this powered by her amazing steam-fired heart of brass. When Emmeline is called into action by the quicksilver-generated vision of the impending fiery and brutal destruction of Melbourne and its inhabitants by an invading [mechanised] army, she responds with courage and determination, gathering her own extraordinary army of humans and machines.
Banks’ imagination has filled the story with mechanical wonders – activated metals with magical qualities and inventions that extend far beyond the usual machines to include such marvels as (deadly) Australian spiders with activated metal inserts that enable them to carry out their mistress’s bidding.
Banks’ evocation, and then subversion and manipulation, of small details of Australian colonial history is clever and got me checking (historical) names and details on more than one occasion. The story’s action is fast-paced & drives the plot forward with a precision akin to the machinery it embraces. At times the pace was almost too fast and I found it hard to keep up with Emmeline’s quickly-made plans and their even quicker implementation that saw her dashing across (and above) grand exhibitions and battlefields, and building and overseeing an extraordinary laboratory in an even more remarkable fortress but, in some ways, the rush added to the fun. In all, Iron Lights is well-written, imaginative, energetic, and a very enjoyable read.

Zip Zip
The kids are having a sleepover tonight, so the house is unusually quiet.
Zipper is very concerned. She still follows us if we go to the bathroom, so the notion of spending a whole night without two members of her litter is Just Wrong.
Here is a nice pic of her, and a not-that-nice pic of my kids. PRIORITIES!

In other news, I’ve cut down my chocolate intake—I’ve regained most of the weight I lost earlier this year, so it must be done—and as a result I believe all life is pain, all humans are hateful, and every breath I take is an imposition on both myself and the universe.
This is why I don’t often attempt to lose weight.
In other other news, I am reading the first Harry Potter book aloud to Louisette. It’s an extraordinary experience. My own writing has been going very poorly lately, and it helps to be reminded of what good fiction feels like from the other side.
99 cents
IRON LIGHTS is on Amazon now, which probably means it’s almost everywhere! So to celebrate, Book 1: HEART OF BRASS is having a 99c promo.
I’m posting it here for those of you on an RSS feed.
https://www.amazon.com.au/s/ref=nb_sb_noss_2?url=search-alias%3Daps&field-keywords=felicity+banks
And here’s Zipper, but sideways.

More Important Matters
So IRON LIGHTS is out (through my store and Dymocks Belconnen ONLY at the moment—it’ll be available everywhere in October, including digitally), MURDER IN THE MAIL is exhibiting at The Front cafe gallery… and all you really want to know is, “HOW IS THE KITTEN THO?”

She is good.
As you can see, she prefers her collar half untied (and will unhook it every time I try to neaten it) but it doesn’t freak her out any more. I think she enjoys chewing on it when the rest of us aren’t sufficiently entertaining.
Today is day 15 of her life with us. It feels much longer.
Chris and I quite often wake at 6am or so to hear, “Noooo, nooo, Zipper, nooo, ouch!” in the morning as the kids wake up before us and don’t always remember our new golden rule (“when Zipper is playful on the couch, you go on the floor, and when Zipper is playful on the floor you go on the couch”) but I don’t think she’s actually drawn blood on the kids yet. Of course Chris and I have some (very minor) scratches because we do things like pick her up.

I’ve begun altering her food from the RSPCA’s preferred brand to a more ordinary kitten-friendly food. The change disturbed her yesterday but she’s definitely eating it so that should be fine.
My sister has two young daughters (6 and 7.5) who visited us yesterday to meet Zipper and have a play. They’re not nearly as familiar with cats as my two, but Zipper was clearly quite interested in them (despite her obvious nerves) and if they ever sat down for more than ten seconds I bet she’d hop on their lap/s.

It’s very exciting having a cat that’s NOT a long-haired type, because she can actually sit on the couch without leaving it covered in fur. This is a new and wondrous thing—and she certainly looks good on green.

She still sleeps a lot, usually sitting on one of our dining chairs (hidden by the tablecloth) or in a lap, or at/over my feet. She still follows me to the bathroom and calmly waits for me before following me back into the living room.
It’s rare for her to meow these days, so hopefully she’ll just grow out of it. But keep the habit of saying, “Prrrm?” by way of greeting or query.

She still plays a lot, and has begun enjoying different toys—the balls we bought for her, crumpled paper, my doona, Louisette’s soft toys. She still doesn’t really ‘get’ the whole treat thing (she tends to sniff at a treat, bat it around a bit, and then walk off).
And she’s still utterly perfect.

Art for Schools
The full list of MURDER IN THE MAIL: A BLOODY BIRTHDAY contributors is here, but this article is specifically about the art from the exhibition currently showing at The Front cafe & gallery, with teachers and school principals in mind. I have chosen the most school-appropriate image from each artist to recommend (and have neglected Annabelle Lee because her books are too naughty, and I know she’ll forgive me).
These pictures are especially well suited to English, Art, History, and Psychology departments.
YES, Felicity Banks (yours truly; curator, head writer, and novelist) is available for discounted school author visits and the MURDER IN THE MAIL: A BLOODY BIRTHDAY story can be purchased here. It is suitable for 12+.
For schools/libraries, some prices are negotiable if the art is not sold during the exhibition period (especially if you buy more than one picture).
Michelle Bedford (Kija/Jaru people)
Full Moon Beaming
original painting
55 x 65 cm
$600 framed
Why buy it?
Because every school should display some original Indigenous Australian art. Michelle is a Canberra artist and poet who is active in the local community.
This is a great piece celebrating nature and it’s best hung next to a window so the specks of shining paint in the moon can be brought out.

Shauna O’Meara
Naomi’s Room
fromMurder in the Mail: A Bloody Birthday
limited edition print
42 x 30 cm
$250 framed
Why buy it?
This is an incredibly detailed piece that works best in the context of the MURDER IN THE MAIL: A BLOODY BIRTHDAY story. I can include a folder/display version of the story so students can explore interactive storytelling.
There are five clues in the picture, some of which require specialist knowledge (such as written Japanese) as well as a large number of ‘Easter Eggs’ (such as books by several authors who each wrote a character in the story).
Shauna O’Meara is an award-winning Canberra artist and writer.

Jane Virgo
Cattitude
fromMurder in the Mail: A Bloody Birthday
“There’s something you don’t know about me.”
original painting
42 x 60 cm
$500 framed
Why buy it?
This is a painting of Canberra writer Cat Sheely by Canberra writer and painter Jane Virgo.

Adam Lee
National Museum
fromMurder in the Mail: A Bloody Birthday
“I kept her secret because it was hers.”
photograph
60 x 42 cm
$350framed
Why buy it?
This is a stark and elegant photograph of a Canberra icon by a Canberra photographer.

Tash Turgoose
Hands
fromMurder in the Mail: A Bloody Birthday
“When I draw, the world disappears.”
limited edition print
30 x 42 cm
$250framed
Why buy it?
This minimalist picture shows how a skilled artist can use detail to render a simple image powerful—and that it is possible to draw hands well!

Keely Van Order
Rorschach
fromMurder in the Mail: A Bloody Birthday
“It’s over. And also beginning.”
limited edition print
42 x 60 cm
$350framed
Why buy it?
This complicated image has a million different interpretations. Is it wings? Faces? A blot of ink? A person could see a different image every day and never run out of impressions.

Addendum: A Bloody Fantastic Cake
Here’s Cassie’s own pic of the cake she made, next to Shauna’s picture. Artists are so amazing! They never cease to impress and delight me.

It tasted good too.
PS The launch for IRON LIGHTS was pretty cool too. Cat Sparks did the photos and I already have them. They’re so incredible I’m going to have to write a seriously impressive blog entry to go with them.
Here’s a pic to tide y’all over until it’s ready:

Hilariously, the quote behind me is, “I’ve always loved politics. . .”





